"No," replied Hanaud. "There’s an historic crime in your own country, monsieur. Cries for help were heard in a by-street of a town. When people ran to answer them, a man was found kneeling by a corpse. It was the kneeling man who cried for help, but it was also the kneeling man who did the murder. I remembered that when I first began to suspect Harry Wethermill."
Ricardo turned eagerly.
"And when-when did you first begin to suspect Harry Wethermill?"
Hanaud smiled and shook his head.
"That you shall know in good time. I am the captain of the ship." His voice took on a deeper note. "But I prepare you. Listen! Daring and brains, those were the property of Harry Wethermill-yes. But it is not he who is the chief actor in the crime. Of that I am sure. He was no more than one of the instruments."
"One of the instruments? Used, then, by whom?" asked Ricardo.
"By my Normandy peasant-woman, M. Ricardo," said Hanaud. "Yes, there’s the dominating figure-cruel, masterful, relentless-that strange woman, Helene Vauquier. You are surprised? You will see! It is not the man of intellect and daring; it’s my peasant-woman who is at the bottom of it all."
"But she’s free!" exclaimed Ricardo. "You let her go free!"
"Free!" repeated Ricardo. "She was driven straight from the Villa Rose to the depot. She has been kept au secret ever since."
Ricardo stared in amazement.