Much might be said of Bulstrode, the sanctimonious hypocrite, who is yet not altogether a hypocrite, but has a vein of something resembling goodness running through his crafty character; of Farebrother, the lax, amiable, genuinely honourable vicar of St. Botolph's; of Mrs. Cadwallader, the glib-tongued, witty, meddling rector's wife, a kind of Mrs. Poyser of high life; of Caleb Garth, whose devotion to work is a religion, and whose likeness to Mr. Robert Evans has already been pointed out; of the wholehearted, sensible Mary, and of many other supremely vivid characters, whom to do justice to would carry us too far.

'Middlemarch' is the only work of George Eliot's, I believe, in which there is a distinct indication of her attitude towards the aspirations and clearly formulated demands of the women of the nineteenth century. Her many sarcastic allusions to the stereotyped theory about woman's sphere show on which side her sympathies were enlisted. On the whole, she was more partial to the educational movement than to that other agitation which aims at securing the political enfranchisement of women. How sincerely she had the first at heart is shown by the donation of 50l. "From the author of 'Romola,'" when Girton College was first started. And in a letter to a young lady who studied there, and in whose career she was much interested, she says, "the prosperity of Girton is very satisfactory." Among her most intimate friends, too, were some of the ladies who had initiated and organised the Women's Suffrage movement. Likewise writing to Miss Phelps, she alludes to the Woman's Lectureship in Boston, and remarks concerning the new University: "An office that may make a new precedent in social advance, and which is at the very least an experiment that ought to be tried. America is the seed-ground and nursery of new ideals, where they can grow in a larger, freer air than ours."

In 1871, the year when 'Middlemarch' was appearing in parts, George Eliot spent part of the spring and summer months at Shottermill, a quaint Hampshire village situated amid a landscape that unites beauties of the most varied kind. Here we may imagine her and Mr. Lewes, after their day's work was done, either seeking the vast stretch of heath and common only bounded by the horizon, or strolling through the deep-sunk lanes, or finding a soothing repose in "places of nestling green for poets made." They had rented Brookbank, an old-fashioned cottage with tiled roof and lattice-paned windows, belonging to Mrs. Gilchrist, the widow of the distinguished biographer of William Blake.

The description of Mrs. Meyrick's house in 'Daniel Deronda' "where the narrow spaces of wall held a world-history in scenes and heads," may have been suggested by her present abode, rich in original drawings by Blake, and valuable prints, and George Eliot writes: "If I ever steal anything in my life, I think it will be the two little Sir Joshuas over the drawing-room mantelpiece." At this time she and Mr. Lewes also found intense interest in reading the 'Life of Blake.' Some correspondence, kindly placed at my disposal by Mrs. Gilchrist, passed between this lady and the Leweses in connection with the letting of the house, giving interesting glimpses into the domesticities of the latter. Their habits here, as in London, were of clockwork regularity, household arrangements being expected to run on wheels. "Everything," writes George Eliot, "goes on slowly at Shottermill, and the mode of narration is that typified in 'This is the house that Jack built.' But there is an exquisite stillness in the sunshine and a sense of distance from London hurry, which encourages the growth of patience.

"Mrs. G——'s" (their one servant) "pace is proportionate to the other slownesses, but she impresses me as a worthy person, and her cooking—indeed, all her attendance on us—is of satisfactory quality. But we find the awkwardness of having only one person in the house, as well as the advantage (this latter being quietude). The butcher does not bring the meat, everybody grudges selling new milk, eggs are scarce, and an expedition we made yesterday in search of fowls, showed us nothing more hopeful than some chickens six weeks old, which the good woman observed were sometimes 'eaten by the gentry with asparagus.' Those eccentric people, the gentry!

"But have we not been reading about the siege of Paris all the winter, and shall we complain while we get excellent bread and butter and many etceteras?... Mrs. S—— kindly sent us a dish of asparagus, which we ate (without the skinny chicken) and had a feast.

"You will imagine that we are as fond of eating as Friar Tuck—I am enlarging so on our commissariat. But you will also infer that we have no great evils to complain of, since I make so much of the small."

George Eliot rarely went out in the day-time during her stay at Shottermill, but in the course of her rambles she would sometimes visit such cottagers in remote places as were not likely to know who she was. She used also to go and see a farmer's wife living at a short distance from Brookbank, with whom she would freely chat about the growth of fruits and vegetables and the quality of butter, much to the astonishment of the simple farm people. Speaking of her recollection of the great novelist to an American lady by whom these facts are recorded, the old countrywoman remarked: "It were wonderful, just wonderful, the sight o' green peas that I sent down to that gentleman and lady every week."

After the lapse of a few months spent in this sweet rural retreat, George Eliot again writes to Mrs. Gilchrist: "I did not imagine that I should ever be so fond of the place as I am now. The departure of the bitter winds, some improvement in my health, and the gradual revelation of fresh and fresh beauties in the scenery, especially under a hopeful sky such as we have sometimes had—all these conditions have made me love our little world here, and wish not to quit it until we can settle in our London home. I have the regret of thinking that it was my original indifference about it (I hardly ever like things until they are familiar) that hindered us from securing the cottage until the end of September."