The whistle sounds, punctually to the stroke of six; we are off.
It is a noble sight as we steam out of the quay de la Charité: the vast city rearing its stately front between green hills and meeting rivers; above, white châteaux and villas dotting the greenery—below, the quays, bordered with warehouses that might be palaces, so lofty and handsome are they, and avenues of plane-trees.
The day promises to be splendid, but mists as yet hang over the scene. Leaving behind us majestic cities and suburbs and the confluence of the Rhône and the Saône—one silvery sheet flowing into the other—we glide between low-lying banks bordered with poplars, and soon reach the little village of Irigny, its sheltering green hills dotted with country houses. As we go swiftly on we realize the appropriateness of the epithet ever applied to the Rhône. Truly in Michelet's phrase, 'C'est un taureau furieux descendu des Alpes, et qui court à la mer.' If we are in haste to reach our destination in the heart of the Cévennes, the Rhône seems still more in haste to reach the sea. This swift current of the bright blue waters and the unspeakable freshness and purity of the air make our journey very exhilarating. Past Irigny we are so near the low, poplar-bordered shore to our left that we could almost reach it with a pebble, whilst to the right lies Millery. From this point the river winds abruptly, and we see far-off hills and gentle declivities nearer shore, with vineyards planted on the slopes. The country on both sides is beautifully wooded, and very verdant.
The first halt is made at Givors, a little manufacturing town set round with vine-clad banks; here the little river Giers flows into the Rhône, one of the numerous tributaries gathered on the way. Just below the town is a graceful suspension-bridge. But for the mists we should have a lovely view a little further on, where the hills run nearer together, the wooded escarpments running steep down to the water's edge. On both right and left banks the scenery is now charming. Close to our left hand rise banks fringed with silvery-green willows, and above a bold line of hills, part wood, part vineyards, with white houses peeping here and there; on our right, a little island-like group of poplar, the whole picture very sweet and pastoral.
For the most part our passengers, alike first and second class, pay scant heed to the scenery; the tiny salle-a-manger below and the resources of the kitchen seem more attractive.
The excitable man with the sick wife, however, no sooner caught sight of me with pencil and note-book than he rushed up, anxious to impart information, also to pour out his own troubles.
'That sick lady yonder is my wife; does she not look ill? Oh, the misfortune to have a sick wife!'
Then he went on to relate to me the history of his wife's long illness, dilating on his own unhappiness in being so afflicted. It never seemed to occur to him that it might be worse to be ill one's self, even than to inflict one's illnesses on others. He had tried every imaginable remedy, and now, as a last expedient, was about to take her to her paternal home in the South, to see what native air might do. Poor lady! ill and depressed she looked indeed.
As we get nearer Vienne the aspect of the country changes. There is an Italian look about the vines trellised on trees, and festooned under the tiled roofs of the little riverside châlets.
The approach to the ancient city itself is very striking. A light suspension-bridge spans the river-banks just where Vienne faces the village of St. Colombe, ancient as itself. On the right we see the massive old town built by Philippe de Valois; to the left, behind the houses, crowded together pell-mell, rises the massive pile of Vienne Cathedral. Here another tributary, the Gère, flows into the Rhône. Vienne was reputed a fosterer of poetry in classic times. At 'beautiful Vienne,' Martial boasted that his works were read with avidity. The scenery now shows more variety and picturesqueness. In one spot the river winds so abruptly that we seem all on a sudden to be landlocked, the hills almost meeting where the swift, impetuous stream has forced a way. The cleft hills as they slope down to the shore show little dells and combes deliciously fresh and verdurous. Everywhere we see the vine, and with every bend we seem nearer the South. Between Vienne and Roussillon the aspect is no longer French, but Italian—the distant undulations dark purple, flecked with golden shadow, the nearer terraced with the yellowing vine.