Only one sound broke the stillness. Between one and two in the morning our driver descended from his attic. A quarter of an hour later there was a noise of wheels, pattering hoofs, and harness bells. He had started, as he told us was his intention, on his homeward journey, traversing the dark, solitary Causse alone, with only his lantern to show the way. Soon after five o'clock our old host, evidently forgetting that he had such near neighbours, or perhaps imagining that nothing could disturb weary travellers, began to chat with his wife, and before six, one and all of the family party had gone downstairs. I threw open my casement to find the witchery of last night vanished, cold gray mist enshrouding the delicious little picture, with its grandiose, sombre background. That clinging mist seemed of evil bodement for our expedition. Ought we to start on a long day's river journey in such weather? Yet could we stay?

I confess that there was something eerie in the isolation and remoteness of St. Énimie. Compared to the savagery and desolation of the Causses, it was a little modern Babylon—a corner of Paris, a bit of boulevard and bustle, but with such narrow accommodation, and with such limited means of locomotion at disposal, the prospect of a stay here in bad weather was, to say the least of it, disconcerting. I prepared in any case for a start, made my tea, performed my toilet, and packed my bag as briskly as if a bright sun were shining, which true enough it was, although we could not see!

When, soon after seven o'clock, I descended to the kitchen, I found our first party of boatmen busily engaged over their breakfast, and all things in readiness for departure.

'The sun is already shining on the Causse,' said our old host. 'This mist means fine weather. Trust me, ladies, you could not have a better day.'

We did our best to put faith in such felicitous augury. Punctually at eight o'clock, accompanied by the entire household of the little Hôtel St. Jean, we descended to the landing-place, two minutes' walk only from its doors.

CHAPTER X.

THE CAÑON OF THE TARN.

Amid many cordial adieux we took our seats, the good old town councillor having placed a well-packed basket at the bottom of the boat. Excellent little restaurants await the traveller at the various stations on the way, but all anxious to arrive at their journey's end in good time will carry provisions with them.

The heavy gray mist hung about the scene for the first hour or two, otherwise it must have been enchanting. Even the cold, monotonous atmosphere could not destroy the grace and smilingness of the opening stage of our journey—sweet Allegro Gracioso to be followed by stately Andante, unimaginably captivating Capricioso to come next—climax of the piece—the symphony closing with gentle, tender harmonies. Thus in musical phraseology may be described the marvellous cañon or gorge of the Tarn—like the pen of true genius, enchanting, whatever the theme. Quiet as the scenery is at the beginning of the way, without any of the sublimer features to awe us farther on, it is yet abounding in various kinds of beauty. Above the pellucid, malachite-coloured river, at first a mere narrow ribbon ever winding and winding, rise verdant banks, tiny vineyards planted on almost vertical slopes, apple orchards, the bright red fruit hanging over the water's edge, whilst willows and poplars fringe the low-lying reaches, and here and there, a pastoral group, some little Fadette keeps watch over her goats.