The snake is afterwards placed in the empty vase, and the vice-ho´naaite repeats the ceremony with a second snake, and this rite is followed by each member of the Snake division of the society. The ho´naaite then directs his vicar and another member of the society to carry the vases to the grotto (the conical structure outside) and the latter to remain in the grotto with the snakes; he then with a novitiate by his side passes from the house, and approaching the grotto stands facing it while the vicar and other male members of the society form in line from east to west facing the north, the vice and novitiate standing at the west end of the line.
Those of the Snake division wear fringed kilts of buckskin with the rattlesnake painted upon them, the fringes being tipped with conical bits of tin. The ho´naaite’s kilt is more elaborate than the others, the fringes having fawns’ toes in addition to the tin. Their moccasins are of fine buckskin painted with kaolin. The hair is flowing. The body of the one to receive the third degree is colored black with a fungus found on cornstalks, crushed and mixed with water. The face is painted red before it is colored black, and a red streak is painted under each eye, symbolic, they say, of the lines under the snakes’ eyes. A fluffy eagle plume is attached to the top of the head, and the face is encircled with down from the hawk’s breast. The hands and feet are painted red, and the body zigzagged with kaolin, symbolic of lightning. The buckskin kilt is painted white, with a snake upon it, and white moccasins are worn ([Pl. x] C). The other members of the society do not have their bodies painted, and they wear their hair done up in the usual knot and their feet bare.[19] They wear instead of the kilt a white cotton breechcloth. The women who do not take part in the dance wear their ordinary dress, the cotton gown being discarded.
Upon the opening of the song and dance the ho´naaite procures a snake at the entrance of the grotto and holding it horizontally with both hands presents it to the novitiate, who receives it in the same manner, clasping the throat with the right hand; the ho´naaite and novitiate pass back and forth north of the line from the grotto four times, now and then the novitiate allowing the snake to wrap itself around his throat. The ho´naaite then takes the snake and returns it to the man in the grotto. If there be a second novitiate he and the first one change places, and the ho´naaite inquires of the second whom he wishes for a father and companion; the boy designates a member of the Snake division, and the chosen one is required by the ho´naaite to take his place by the side of the novitiate and accompany him to the grotto; he again receives a snake which he hands to the boy and the former ceremony is repeated. When the novitiates have concluded, each member of the Snake division takes his turn in passing back and forth four times with a snake, the snake being handed him by a companion member. The song and dance does not cease until each snake has been passed through the ceremony. Two of the novitiates, if there be two or more, if not, a novitiate and a member, are requested by the ho´naaite to enter the grotto and receive the vases from the man inside. These they carry to a cave about half a mile distant, and here the bearers of the vases take out each snake separately and placing it upon the ground say: “Go to your home; go far and be contented.” The first snake is deposited to the north, the second to the west, the third to the south, and the fourth to the east; this is repeated until all the snakes are disposed of. The vases are then placed in the cave and the entrance covered with a large slab. The ho´naaite returning to the house takes the ya´ya from the tail of the sand-painted cougar and holding it in his left hand places the palm of his right hand to the cougar and draws from it a breath and rubs his hand over his breast, after which all evidences of the sand-painting are soon erased by the members who hasten forward and rub their bodies with the sand that they may be mentally and physically purified.
When Mr. Stevenson discovered that the Sia held ceremonials with snakes he induced the vicar of the snake society to conduct him to the locality for that special rite. Leaving Sia in the early morning a ride of 6 miles over sand dunes and around bluffs brought the party, including the writer, to the structure known as the snake house, hid away among chaotic hills. Every precaution had been observed to maintain secrecy. The house is a rectangular structure of logs (the latter must have been carried many a mile) and is some 8 by 12 feet, having a rude fireplace; and there are two niches at the base of the north wall near the west end in which the two vases stand during the indoor ceremonial. Though this house presented to the visitors a forlorn appearance, it is converted into quite a bower at the time of a ceremonial, when the roof is covered and fringed with spruce boughs and sunflowers and the interior wall is whitened. Some diplomacy was required to persuade the vicar to guide Mr. Stevenson to the cave in which the vases are kept when not in use. A ride half a mile farther into chaos and the party dismounted and descended a steep declivity, when the guide asked Mr. Stevenson’s assistance in removing a stone slab which rested so naturally on the hillside that it had every appearance of having been placed there by other than human agency. The removal of the slab exposed two vases side by side in a shallow cave. A small channel or flume had been ingeniously made from the hilltop that the waters from ti´nia might collect in the vases. These vases belong to the superior type of ancient pottery, and they are decorated in snakes and cougars upon a ground of creamy tint. Mr. Stevenson was not quite satisfied with simply seeing the vases, and determined if possible to possess one or both; but in answer to his request the vicar replied: “These can not be parted with, they are so old that no one can tell when the Sia first had them; they were made by our people of long ago; and the snakes would be very angry if the Sia parted with these vases.” Whenever opportunity afforded, Mr. Stevenson expressed his desire for one of them; and finally a council was held by the ti´ämoni and ho´naaites of the cult societies, when the matter was warmly discussed, the vicar of the Snake society insisting that the gift should be made, but the superstition on the part of the others was too great to be overcome. Mr. Stevenson was waited upon by the members of the council; the ho´naaite of the Snake society addressing him: “You have come to us a friend; we have learned to regard you as our brother, and we wish to do all we can for you; we are sorry we can not give you one of the vases; we talked about letting you have one, but we concluded it would not do; it would excite the anger of the snakes, and perhaps all of our women and little ones would be bitten and die; you will not be angry, for our hearts are yours.”
The night previous to the departure of the party from Sia the vicar of the Snake Society made several visits to the camp, but finding other Indians present he did not tarry. At midnight when the last Indian guest had left the camp he again appeared and hurriedly said, “I will come again,” and an hour later he returned. “Now,” said he, “closely fasten the tent, and one of you listen attentively all the while and tell me when you hear the first footstep;” and he then took from the sack one of the vases, he being in the meanwhile much excited and also distressed. He would not allow a close examination to be made of the vase, but urged the packing of it at once; he deposited a plume offering in the vase, and sprinkled meal upon it and prayed while tears moistened his cheeks. The vase was brought to Washington and deposited in the National Museum.
Bureau of Ethnology.
Eleventh Annual Report. Plate. XVIII
GAST LITH. CO. N.Y.
ALTAR AND SAND PAINTING.
GIANT SOCIETY.