Bureau of Ethnology.
Eleventh Annual Report. Plate. XXI
SICK BOY IN CEREMONIAL CHAMBER OF GIANT SOCIETY.
FOUR NIGHTS’ CEREMONIAL OF THE GIANT SOCIETY FOR THE HEALING OF A SICK BOY.
The night succeeding the ceremonial of the Sko´-yo-Chai´-än (Giant Society) for rain the assembly began its ritualistic observances, which continue four consecutive nights, for the curing of the sick by the brushing process. During the afternoon a sand-painting was made in the east end of the room (compare sand-painting Giant Society, ([Pl. xviii]b); ya´ya and stone fetiches were grouped upon the painting; a medicine bowl was placed before the ya´ya; bear-leg skins were deposited on either side of the fetiches and a white embroidered sacred Tusayan blanket was folded and laid by the bear-leg skins south of the painting. The five male members of the medicine division of the society had refreshments served early in the evening by the female members, and after supper the ti´ämoni, who is a member of the medicine division, placed a bowl of stewed meat and a basket of bread near the painting; the remainder of the food was stored in the northwest corner of the room for future consumption.
The five men formed in line back of the fetiches, the ho´naaite being the central figure; they had scarcely taken their seats, however, before the ti´ämoni brought a vase of water and a gourd from the west end of the room and set it before the sand-painting and returned to his seat; the ho´naaite, advancing, dipped six gourdfuls of water, emptying each one into the medicine bowl.[20]
The ho´naaite then passing to the north side of the painting stooped with bended knees, holding in his left hand two eagle plumes, and repeated a low prayer; then, taking a small piece of the bread, he dipped it into the stew and scattered it before the fetiches; and, taking more bread and a bit of the meat, he left the ceremonial chamber and threw the food as an offering to the animals of the cardinal points. The ti´ämoni then returned the bowl of meat and basket of bread to the far end of the room. Upon the return of the ho´naaite his vicar spread the Tusayan blanket upon the floor, some 5 feet in front of the painting. He next sprinkled a line of meal from the edge of the blanket nearest the painting to the bear fetich, which stood foremost on the painting; thence across the blanket and along the floor to the entrance on the south side and near the west end of the chamber; again, beginning at the center of the blanket he sprinkled a line of meal across the blanket to the south edge, and beginning again at the center he sprinkled a line of meal to the north edge and continued this line to the north wall. Then beginning at the line ending at the south of the blanket, he ran it out to the south wall (these four lines being symbolic of the four winds), and placed the bowl of meal in front of the painting and north of the line of meal. The meal having become somewhat exhausted, the pottery meal bowl was replaced by an Apache basket, containing a quantity of fresh meal, ground by a woman in an adjoining room, where a portion of the family had already retired. The basket of meal was received from the woman by the ti´ämoni, who stood to her left side while she ground the corn in the ordinary family mill. The remainder of the contents of the pottery meal bowl was emptied into the Apache basket, the portion from the bowl being deemed sufficient in quantity to lend a sacred character to the freshly ground meal. The ho´naaite then fastened about his neck a string of bears’ claws with a small reed whistle, having two soft white eagle plumes tied to the end, attached midway, which he took from a pile of bear-leg skins, having first waved the necklace around the white bear fetich, which stood to the front of the painting. Each member of the society then put on a similar necklace; two of the members fastened amulets around their upper right arms and two around their left arms. The ho´naaite rolled his blanket in a wad and sat upon it. The other members made similar cushions. The ti´ämoni, whose seat was at the south end of the line, crossed to the north side of the room, and taking a bit of red pigment rubbed it across his face and returned to his seat, each member rubbing a bit of galena across the forehead, across the face below the eyes, and about the lower part of the face. The paint was scarcely perceptible. It was put on to insure the singing of the song correctly. The ti´ämoni again crossed the room, and taking from the north ledge a bunch of corn husks, he handed them to the man who sat next to him, who was careful to manipulate them under his blanket, drawn around him. The writer thinks that they were made into funnels, in which he placed tiny pebbles from ant hills. The vice-ho´naaite, at the north end of the line, left the room, and during his absence the ho´naaite, taking a bunch of straws which lay by the bear-leg skins, divided it into five parts, giving a portion to each one present. He reserved a share for the absent member, who returned in a short time, bearing the sick child in his arms, being careful to walk on the line of meal; he set the child upon a low stool placed on the broad band of embroidery of the blanket. ([Pl. xxi]) The man then handed the basket of meal to the child, who, obeying the instructions of the vice-ho´naaite, took a pinch and threw it toward the altar with a few words of prayer to Ko´pĭshtaia. The vicar then returned to his seat, and the members, with eagle plumes and straws in their left hands and rattles in their right, began the ritual; they were nine minutes singing the first stanza, which was sung slowly and in very low tones, and at its close each one drew a breath from the eagle plumes and straws. The second stanza was sung louder and faster. The monotony of the song was broken by an occasional animal-like call, which was a request to the cougar of the north to give them power over the angry ants. The child was afflicted with a severe sore throat, caused by ants having entered his body when he was in the act of micturition upon their house, and ascending they located in his throat. After the second stanza the ho´naaite blew first on the right side of the child, then on his back, his left side, and his breast; the other members continuing the song to the accompaniment of the rattle. When he took his seat, the ti´ämoni and the man who sat next to him each drew a breath from their eagle plumes and straws, and dipping them into the medicine water, each one extended his plumes to the child, who drew a breath from them. The two men then resumed their seats. The ho´naaite, again dipping his plumes in the medicine water, passed the ends through the ti´ämoni’s mouth, and afterwards through the mouth of each member, the plumes being dipped each time into the bowl of medicine water. The men were occupied a few moments in drawing something from several of the bear-leg skins. All except the ho´naaite gathered around the altar, dancing and gesticulating in excessive excitement and blowing upon the whistles suspended from their necklaces. They constantly dipped their eagle plumes into the medicine water, throwing their arms vehemently about, sprinkling the altar and touching the animal fetiches with their plumes, and then placing the plumes to the mouths, absorbing from them the sacred breath of the animal. The ho´naaite with bowed head continued his invocations to the cougar of the north, seemingly unconscious of all that was going on about him. After maneuvering before the altar, the four men performed similar extravagances about the child, one of the men standing him in the center of the blanket, careful to place the boy’s feet in diagonal angles formed by the meal lines. Then the four left the room, carrying with them the material taken from the bear-leg skins. The ho´naaite did not cease shaking the rattle and singing during the absence of the four, who visited the house of the sick boy to purify it. Upon returning to the ceremonial room they threw their arms aloft, waving their plumes above them and then about the child, singing and growling, after which they resumed their seats in line with the ho´naaite, and joined him in the song to the accompaniment of rattles. After a few moments these four men and the ho´naaite surrounded the boy; the ho´naaite standing at the northeast corner of the blanket, and the ti´ämoni at the southeast corner, while the others formed a semicircle behind the boy. They all waved plumes and straws in their left hands over the invalid boy, and passed them simultaneously down his body from head to feet, striking the plumes and straws with rattles which they held in their right hands; and as the plumes and straws were moved down the boy’s body ants in any quantity were supposed to be brushed off the body, while in reality tiny pebbles were dropped upon the blanket; but the conjuration was so perfect the writer could not tell how or whence they were dropped, although she stood close to the group and under a bright light from a lamp she had placed on the wall for the purpose of disclosing every detail. The tiny nude boy standing upon the white embroidered blanket, being brushed with the many eagle plumes, struck with their rattles by five beautifully formed Indians, was the most pleasing scene of this dramatic ceremonial. The brushing of the child with the plumes was repeated six times, and he was then backed off the blanket over the line of meal and set upon the stool, which had been removed from the blanket, and was afterward given a pinch of meal and told to stand and look at the ants which had been extracted from his body, and to sprinkle the meal upon them. After this sprinkling he resumed his seat upon the stool. The ho´naaite stooped with bended knees at the northeast corner of the blanket and whispered a prayer and sprinkled the blanket. Each member with eagle plumes sprinkled the blanket with meal and carefully brushed together all the material which had fallen on the floor instead of the blanket, after which the ti´ämoni gathered the corners together, waved it over the child’s head, and left the room with it. All sat perfectly quiet, holding their rattles, eagle plumes, and straws in their right hands during the absence of the ti´ämoni. Upon his return he waved the folded blanket twice toward the group of fetiches and toward himself, then passed it twice around the child’s head, and finally laid it upon the pile of bear-leg skins at the south side of the painting. The child, who was ill and burning with fever, was led by the vice ho´naaite to the fetiches, which he sprinkled with meal, and was carried from the chamber and through an outer room to his mother at the entrance.
Bureau of Ethnology.
Eleventh Annual Report. Plate. XXII