* The reader will have remarked that a vein of allegory, more or less apparent, runs through the whole of the romance. This observation will, perhaps, serve to explain the defeat of Orlando, and the subsequent triumph of Brandimart. Orlando, by his love of vice, as figured in Origilla, has derogated from his natural self, and forfeited the protection of Providence, while Brandimart, the model of purity and constancy, is proof against all the powers of hell.
The ship-master, pursuing his story, stated that the fairy had offered to surrender the stripling to his father, upon his putting her in possession of a certain knight, entitled Orlando, with whom she was at enmity, on account of his having destroyed her enchantments. This the necromancer, overcome by Brandimart, had offered to effect for Monodontes, but had never succeeded, though he had crowded his dungeons with champions; amongst whom were Rinaldo, Astolpho, Dudon, Gryphon and Aquilant, and others, too many to mention.
Orlando listened to the narration in silence: then, after some secret conference with the ship-master, bade him make sail for Damogir, as he and Brandimart were now masters of the vessel, for he was minded to put this Orlando into the hands of Monodontes. He obeys his command, and the ship, after traversing the ocean, arrives with them at the island.
Here the proposal was renewed by the knights, and accepted by Monodontes; who, waiting the accomplishment of their promise, lodged them in a magnificent palace near his own. Here too was guested the infamous Origilla, who was privy to Orlando's design. She having her mind entirely set upon Gryphon, who (it will be remembered) was amongst the prisoners of Monodontes, and thinking she was possessed of sure means of delivering him, secretly presented herself before the king, and informed him that Orlando was in his power.
As the covenanted reward of her service, Monodontes ordered
Gryphon to be delivered up to her; and he refusing freedom, unless
Aquilant was at the same time freed, both were set at liberty, and
departed with Origilla.
To take Orlando was a more difficult enterprise; but this was accomplished through the means of a potion, by which both he and Brandimart were put to sleep, and, while stupefied by the liquor, lodged in the dungeons of Monodontes. In the solitude of their prison Orlando converts Brandimart to the Christian faith; and this knight, who appears to be the type of friendship and virtuous love, upon the guards of the monarch coming in search of Orlando, announces himself as the person sought for, and as such presents himself to Monodontes.
This monarch tells Brandimart, whom he imagines to be Orlando, that he seeks the liberation of his son Ziliantes; and as he knows no method of obtaining him from the fairy, but by such a sacrifice, is reluctantly compelled to offer him in exchange for the royal captive. To which Brandimart replies, that if he only seeks this, he may obtain his end without such a breach of hospitality, as his comrade is ready to descend to the dungeons of Morgana, where he has already been, and rescue him by force. That in the meantime he will remain as his hostage, and if he whom he is to free does not, within a month, return with Ziliantes, the king can, at the worst, accomplish the deliverance of his son, by giving him up (the king believing him to be Orlando) to the vengeance of Morgana.
Monodontes accedes to this proposal, and the real Orlando is suffered to depart.
In the meantime Brandimart, always under the name of Orlando, remains for some time a prisoner at large; when the secret is discovered, through the indiscretion of Astolpho, and Monodontes in fury orders Brandimart to be cast into a dungeon, preparatory to his expiating his imposture by death. Orlando this while is bound upon his adventure, and arriving at the lake formerly kept by Arridano, finds upon its banks a beautiful lady weeping over a dead dragon.
While Orlando contemplates this spectacle with surprise, the lady snatches up the dragon in her arms, and embarks with it in a little pinnace, which was moored hard by. She now loosens from the shore, sets her sail, and having reached the middle of the lake, sinks to the bottom with her enchanted barque.