"Of truth, of grandeur, beauty, love and hope,
And melancholy fear subdued by faith,
Of blessed consolations in distress,
Of moral strength and intellectual power,
Of joy in widest commonalty spread—"[374]
then we have a poet intent on "the best and master thing," and who prosecutes his journey home. We say, for brevity's sake, that he deals with life, because he deals with that in which life really consists. This is what Voltaire means to praise in the English poets,—this dealing with what is really life. But always it is the mark of the greatest poets that they deal with it; and to say that the English poets are remarkable for dealing with it, is only another way of saying, what is true, that in poetry the English genius has especially shown its power.
Wordsworth deals with it, and his greatness lies in his dealing with it so powerfully. I have named a number of celebrated poets above all of whom he, in my opinion, deserves to be placed. He is to be placed above poets like Voltaire, Dryden, Pope, Lessing, Schiller, because these famous personages, with a thousand gifts and merits, never, or scarcely ever, attain the distinctive accent and utterance of the high and genuine poets—
"Quique pii vates et Phoebo digna locuti,"[375]
at all. Burns, Keats, Heine, not to speak of others in our list, have this accent;—who can doubt it? And at the same time they have treasures of humor, felicity, passion, for which in Wordsworth we shall look in vain. Where, then, is Wordsworth's superiority? It is here; he deals with more of life than they do; he deals with life as a whole, more powerfully.
No Wordsworthian will doubt this. Nay, the fervent Wordsworthian will add, as Mr. Leslie Stephen[376] does, that Wordsworth's poetry is precious because his philosophy is sound; that his "ethical system is as distinctive and capable of exposition as Bishop Butler's"; that his poetry is informed by ideas which "fall spontaneously into a scientific system of thought." But we must be on our guard against the Wordsworthians, if we want to secure for Wordsworth his due rank as a poet. The Wordsworthians are apt to praise him for the wrong things, and to lay far too much stress upon what they call his philosophy. His poetry is the reality, his philosophy—so far, at least, as it may put on the form and habit of "a scientific system of thought," and the more that it puts them on—is the illusion. Perhaps we shall one day learn to make this proposition general, and to say: Poetry is the reality, philosophy the illusion. But in Wordsworth's case, at any rate, we cannot do him justice until we dismiss his formal philosophy.
The Excursion abounds with philosophy and therefore the Excursion is to the Wordsworthian what it never can be to the disinterested lover of poetry,—a satisfactory work. "Duty exists," says Wordsworth, in the Excursion; and then he proceeds thus—
" … Immutably survive,
For our support, the measures and the forms,
Which an abstract Intelligence supplies,
Whose kingdom is, where time and space are not."[377]
And the Wordsworthian is delighted, and thinks that here is a sweet union of philosophy and poetry. But the disinterested lover of poetry will feel that the lines carry us really not a step farther than the proposition which they would interpret; that they are a tissue of elevated but abstract verbiage, alien to the very nature of poetry.
Or let us come direct to the centre of Wordsworth's philosophy, as "an ethical system, as distinctive and capable of systematical exposition as Bishop Butler's"—