The third period, from 1700 to 1750.—The Scandinavian Church was not subject to the hymnological fluctuations that the German Church experienced in this period, because the excellent Swedish hymnal of 1695 remained throughout the 18th century as the only official and popular hymn book. Efforts were made to produce new hymnals. About 1765 appeared an orthodox hymnal, “sound in doctrine and unpoetical”—called the Celsic hymnal, because O. Celsius had a great deal to do with its compilation. Pietistic and Moravianistic hymnals appeared. As an example of the Pietistic hymnals we note “The Songs of Moses and the Lamb,” by Lybecker, 1717. “The Songs of Zion” was a Moravianistic product, published about 1745. The Danes and the Norwegians were fortunate in having as their foremost hymnist the great H. A. Brorson, a most noble Pietistic hymn writer.
The fourth period.—This period includes the last half of the eighteenth century and the first fifteen years of the nineteenth. The neological spirit did not get into the church life of Sweden as thoroughly as in Germany. This fortunate condition is plainly seen in the hymnody of the Swedish Church. The hymnal that was published in 1793, the year of the 200th anniversary of the important Church Council at Upsala (1593), contained very few new hymns, and the old hymns retained were only slightly revised. But this hymnal was not accepted by the Swedish Church. About twenty years later, in 1814, appeared a new project in the matter of a revised and improved hymnal, the result of neological efforts to produce new church hymns. Many very able hymnists united in this great hymnological project, to show what genius and good taste can accomplish. It was a great work, but, on the whole, unsuccessful—too fine, perhaps.
The fifth period, the nineteenth century.—The hymnological situation in Sweden in the nineteenth century was somewhat similar to that in Germany. But it is hardly a question of returning to the old, because neological activities were not able to deprive the Swedish Church of her old hymnody. Efforts to give to the Church a large number of the best of the old church hymns (Greek, Latin, German and Scandinavian), carefully edited, and some new Swedish church hymns, resulted in the important Swedish Hymnal of 1819. It has remained to this day (1925) the official and popular Hymnal of the Swedish Church. It is the Swedish hymn book of the Augustana Synod. With respect to the old church hymns in the hymnal, it may be said that much was gained by this work of revision. Most of the new hymns are excellent. A few of the hymns betray neological influences. On the whole, however, the Hymnal of 1819 is a very fine Lutheran hymn book. It contains 500 hymns. Revision is undoubtedly needed, and such work has been going on for some time.
Among Swedish hymn writers who contributed to the Hymnal of 1819 we note especially Bishop J. O. Wallin (died 1839) and Bishop F. M. Franzen (died 1847). Wallin produced 128 original hymns and revised or translated very many old and new hymns. The Hymnal of 1819 has often been called Wallin’s Hymnal. Most of his hymns are immortal masterpieces. Franzen produced 22 original hymns. As a hymnist Franzen possessed less rhetorical elevation and force than Wallin, but he is fully equal to Wallin not only in the Biblical-evangelical quality of the content but also in the lyrical heartiness of the tone as well as in the transparency and simplicity of the language. Other important Swedish hymn writers of this period are Samuel J. Hedborn (died 1849) and Erik Gustaf Geijer (died 1847). Johan Henrik Thomander and Per Wieselgren are the editors of the Swedish Hymnal (1819) that is used in the Swedish Lutheran Augustana Synod, U. S. A.
In the Danish Church the well known N. F. S. Grundtvig (died 1872) has rendered great service as a reviser of old church hymns and writer of several excellent original hymns. The Norwegian Lutheran hymn book by Rev. M. B. Landstad (died 1881) is a very important hymnological work. It is a popular hymnal in the Norwegian Church. An important Swedish hymn book was published in Finland in 1880, which contained many excellent old church hymns from Swedish and German sources, but also several new hymns by such well known Finnish scholars as Johan Ludvig Runeberg (died 1877), Zacharias Topelius (died 1898), and others.
Bishop J. O. Wallin brought about a very high hymnic standard in the Swedish Church—perhaps the highest hymnic standard in the entire Lutheran world. When we examine what Grundtvig and Landstad gave the Danish and Norwegian churches, we find a great deal of the folk song element in that hymnody—not an unwholesome attribute. Wallin’s work belongs rather to the sphere of the solemn and sublime church hymn. The hymnody of the Swedish Lutheran Church is among the finest in the whole field of Lutheran hymnology, a church hymnody born in the days of the Reformation, four hundred years ago.
AMERICAN LUTHERAN HYMNODY
The early Lutherans in America came from lands where church song had attained high position and where a large number of noble church hymns had been produced. The early German Lutherans sang from a great variety of hymn books which they had brought with them from the homeland. Dr. Henry Eyster Jacobs makes the following statement in “A History of the Evangelical Lutheran Church in the United States”: “Muhlenberg had complained greatly of the variety of hymn books in use in the congregations, and generally within the same congregation. Of these, the Marburg hymn book gained precedence, and an American edition was published by Christopher Saur, Germantown, in 1762.” This hymn book contained over six hundred hymns.
About the same thing may be said of the earlier Lutheran immigrants, the Dutch and the Swedes. About 1675 the Swedes appealed to the King of Sweden for 12 Bibles, 100 hymn books, etc. In 1696 a ship carrying missionaries and a large supply of books left Sweden for America.
The work of organizing the early Lutheran Church in America fell to Rev. Dr. Henry Melchior Muhlenberg, often called the Patriarch of the American Lutheran Church. He came to Philadelphia in 1742. The first Evangelical Lutheran Synod in America was organized by Muhlenberg at Philadelphia in 1748. This body is known as the Evangelical Lutheran Ministerium of Pennsylvania and Adjacent States. In 1782 this synod resolved to have a new hymn book printed for the united congregations. A hymn book committee was appointed and given the following instructions: “As far as possible to follow the arrangement of the Halle hymn book, and not to omit any of the old standard hymns, especially of Luther and Paul Gerhardt.” This German hymn book appeared in 1786, having been prepared by Muhlenberg, Kunze, and Helmuth. Poor health prevented Muhlenberg from taking a more active part in the compilation of this hymn book. While it was used extensively, it seems that the book did not fully meet the wishes of the synod. Apparently the active editors, especially Dr. Helmuth, had not been successful in the selection and revision of the hymns. The inter-denominational (Lutheran and Reformed) hymn book of 1817, the “Gemeinschaftliches Gesangbuch,” was an inferior hymnological work. It was meant to take the place of the Pennsylvania hymn book of 1786. In 1849 the Ministerium of Pennsylvania published a new hymn book, prepared chiefly by Dr. C. R. Demme. The Synods of New York and West Pennsylvania co-operated in this issue. Although popular, this Pennsylvania hymn book did not measure up to that of 1786. About the middle of the nineteenth century, several German Lutheran hymn books were published by different synods. The Kirchenbuch of the General Council, published in 1877, is a hymnological work of high merit.