CHAPTER XXI.
From Warsaw we turn towards Munich, the capital of Bavaria, reaching the quaint old city by way of Vienna, a description of which we have given in a previous chapter. Munich has a population of about two hundred thousand, and it possesses many noble institutions devoted to charitable, literary, and art purposes. The accumulation of art treasures is of the choicest character, not exceeded in number or importance by any other city of Germany, if we except Dresden. Many of its churches, centuries in age, are of great interest. Nearly all of our modern bronze statues have been cast in the famous founderies of Munich. The university, in the University Platz, takes first rank among the educational institutions of the old world. The English Garden, so-called, is a beautiful and extensive park which was established just one century ago; it is about four miles long by half a mile in width. Here is seen an admirable statue of Count Rumford, the founder of the garden. In clear weather the distant Alps are visible from here.
The public library of Munich is remarkably comprehensive, and contains about nine hundred thousand volumes, besides twenty-four thousand valuable manuscripts. Few collections in the world are so important. The Bavarian national museum embraces a magnificent array of objects illustrating the progress of civilization and art. Munich is strongly marked in its general aspect, manners, and customs. A considerable share of the most menial as well as of the most trying physical labor devolves upon the women. It is very repulsive to an American to see them, as one does here, ascending high ladders with buckets of mortar or bricks for building purposes. The stranger is unpleasantly impressed with the fact that more beer is drunk in Munich than in any other community composed of the same number of people. The obvious trouble with those who consume so much malt liquor is that they keep half tipsy all of the time, and their muddled brains are never in possession of their full mental capacity. There is not much absolute drunkenness to be seen in the streets of this capital, but the bloated faces and bleared eyes of the masses show only too plainly their vulgar and unwholesome indulgence.
From Munich we proceed to Frankfort-on-the-Main, an ancient and important city of Germany, containing a population of one hundred and twenty thousand. The difference in large communities is remarkable. While some cities with three hundred thousand inhabitants seem drowsy and "slow," another, like this of Frankfort, with not half that population, presents the aspect of much more life, activity, and volume of business. Here we have fine, cleanly streets, and stores almost Parisian in elegance and richness of display. The older portions of the town have the usual narrow lanes and dark alleys of past centuries, with quaint, overhanging fronts to the houses. The city is surrounded on three sides by very beautiful public gardens. The venerable town hall is an object of universal interest. One visits also the house from which Luther addressed the multitude in the Dom Platz, or square: nor should another famous residence be forgotten; namely, that in which Goethe was born, in memory of whom a colossal bronze statue stands in the Goethe Platz. There is also a group here of three statues in honor of Gutenberg, Faust, and Schöffer, inventors of printing. In the Schiller Platz is a bronze statue of Schiller. The public library has a hundred and thirty thousand volumes, and there is a museum of natural history, an art gallery of choice paintings, and all the usual philanthropic organizations appropriate to a populous Christian capital. Frankfort is a great money centre, and is the residence of many very rich bankers. In the grounds attached to the residence of one of these wealthy men is exhibited, in a suitable building, the famous marble statue of Ariadne, by Dannecker. There is also here a fine botanical garden with a collection of choice plants open to the public. Thus it will be seen that Frankfort, upon the whole, though comparatively small, is yet an extremely pleasing city, thriving, cleanly, and attractive.
Our next place to visit is Cologne, a city situated on the left bank of the Rhine. It was a famous and prosperous Roman colony fifteen hundred years ago, containing amphitheatres, temples, and aqueducts. The passage-ways in the ancient portions of the city are remarkably small, but there are some fine modern streets, arcades, and open squares, which present a busy aspect, with an active population of one hundred and sixty thousand. The Rhine is here crossed by a substantial iron bridge, as also by a bridge of boats. The one most prominent attraction of Cologne is its grand, and in some respects unequalled, cathedral, which was over six hundred years in process of building. It was not completed until so late as 1880, representing an enormous amount of elaborate masonry. The towers are over five hundred feet high. The effect of the interior, with its vast height, noble pillars, niches, chapels, and stained glass windows is most impressive, and by many travellers is thought to be unequalled elsewhere. The exterior, with its immense flying buttresses and myriads of pinnacles, is truly awe-inspiring. There are other old and interesting churches here. That of St. Gereon is said to contain the bones of the hundreds of martyrs of the Theban Legion who were slain by order of the Emperor Diocletian in the year 286. The Church of St. Peter's, where Rubens was baptized, contains his famous picture entitled the "Crucifixion of St. Peter," painted a short time before the artist's death. The stranger is shown the house at No. 10 Sternengasse, where Maria d' Medici died in 1642. Rubens lived in this same house when a boy of ten years. There is a choice and comprehensive gallery of paintings at Cologne.
From this city we turn our steps towards Paris, by the way of Antwerp, Belgium, which is remarkable for its many churches, convents, and noble public buildings, beautiful parks, and open squares. It has a population of fully three hundred thousand, owing its attraction mostly to the fact that here are gathered so many masterpieces of painting. The great influence of Rubens can hardly be fully appreciated without a visit to this Flemish capital, where he lived so long, where he died, and where his ashes rest in the Church of St. Jacques. Here is the burial place of many noble families, and among them that of Rubens, his tomb being situated just back of the high altar. Above it is a painting by his own hand, intended to represent the Holy Family, but its object is also well understood as being to perpetuate a series of likenesses of the Rubens family; namely, of himself, his two wives, and his daughter, besides his father and grandfather. Vandyke and Teniers were also natives of Antwerp, where their best works still remain, and where the state has erected fitting monuments to their memory. Jordaens, the younger Teniers, and Denis Calvart, the art master of Guido, the great Italian painter, were also natives of this city.
The Cathedral of Antwerp, more remarkable for its exterior than interior, is of the pointed style. Did it not contain Rubens' world-renowned pictures, the Descent from the Cross, the Elevation of the Cross, and the Assumption, few people would care to visit it. In all the older portions of the town the houses have a queer way of standing with their gable ends to the street, as we see them in Amsterdam and Hamburg, showing it to be a Dutch fashion. Dogs are universally used here in place of donkeys for drawing small carts. Beggars there are none to be seen, to the credit of the city be it said.
From Antwerp we make our way to Paris, whence to take a brief trip into Switzerland, which, after a journey by rail of three hundred and twenty-five miles, we enter on the northwestern corner, at Bâle, a considerable city of nearly seventy thousand inhabitants, situated on the left bank of the Rhine. Its earliest history was that of a Roman colony; consequently there are many portions of the place especially "quaint and olden." Being situated at the junction of the frontiers of France, Germany, and Switzerland, it has a considerable trade and evinces much commercial life. It has many admirable institutions, a public library which contains about a hundred thousand volumes, and a justly famed university which also has a library of two hundred thousand volumes. The town hall is a curious old structure three centuries old and of the Gothic style. Most cities have some specialty in manufacturing, and Bâle is not without its peculiarity in this respect. It consists of the production of silk ribbons of exquisite finish and in great variety, which find their way to distant and profitable markets.
There is an admirably arranged picture gallery and art museum here, principally remarkable for the number of paintings by the younger Holbein, but containing, also, many other fine works of the modern painters. The cathedral dates back nearly nine hundred years, or, to be exact, to 1010. It was originally of the Byzantine order, but has been repaired and added to until it has assumed a Gothic shape. The material is red sandstone. It has two lofty towers, and the portal is ornamented with mounted statues of St. George and St. Martin. About six miles from Bâle, on the river near its confluence with the Ergolz, is Augst, upon the site of the great Roman city of Augusta Rauracorum, founded in the reign of Augustus. From these ruins have been taken many valuable relics which are deposited in the museum of Bâle.