Human culture brings trees, shrubs and flowers to their fullest development, fosters and keeps green the emerald sward, and brings the bright leaping waters into the midst of the graces of nature. Nowhere does a beautiful statue look more beautiful than when erected in a framework of deep foliage. These public squares are the most attractive features of cities. Take from London Hyde Park, from Paris the Champs Elysées and the Tuilleries gardens, the Battery and the Park from New York, and the Common from Boston, and they would be but weary wildernesses of brick, stone and mortar. The enlightened corporation that bestows on a young city the gift of a great park, to be enjoyed in common forever, does more for posterity than if it raised the most sumptuous columns and palaces for public use or display.
PLAZA DE ARMAS AND GOVERNOR'S PALACE.
The Plaza de Armas of Havana is a living evidence of this, and is the nightly resort of all who can find time to be there, while the governor's military band performs always from seven to nine o'clock. The Creoles call it "the poor man's opera," it being free to all; every class resorts hither; and even the ladies, leaving their volantes, sometimes walk with husband or brother within the precincts of the Plaza. We are told that "the man who has not music in his soul is fit for treason, stratagem and spoils." It is undoubtedly from motives of policy that the Havanese authorities provide this entertainment for the people. How ungrateful it would be to overthrow a governor whose band performs such delightful polkas, overtures and marches; and yet, it requires some circumspection for the band-master to select airs for a Creole audience. It would certainly never do to give them "Yankee Doodle;" their sympathies with the "Norte Americanos" are sufficiently lively without any such additional stimulus; and it is well for the authorities to have a care, for the power of national airs is almost incredible. It was found necessary, in the times of the old Bourbons, to forbid the performance of the "Ranz des Vaches," because it so filled the privates of the Swiss guards with memories of their native home that they deserted in numbers. The Scotch air of "Lochaber no more" was found to have the same effect upon the Highland regiments in Canada; and we are not sure that "Yankee Doodle," performed in the presence of a thousand Americans on the Plaza de Armas, would not secure the annexation of the island in a fortnight.
The Creoles are passionately fond of music. Their favorite airs, besides the Castilian ones, are native dances, which have much sweetness and individuality of character. They are fond of the guitar and flageolet, and are often proficients in their use, as well as possessing fine vocal powers. The voice is cultivated among the gentlemen as often as with the ladies. Music in the open air and in the evening has an invincible effect everywhere, but nowhere is its influence more deeply felt than in a starry tropical night. Nowhere can we conceive of a musical performance listened to with more delightful relish than in the Plaza at Havana, as discoursed by the governor's band, at the close of the long tropical twilight.
In the immediate neighborhood of the Plaza, near the rear of the governor's palace, is a superb confectionary,—really one of the notabilities of the city, and only excelled by Taylor's saloon, Broadway, New York. It is called La Dominica, and is the popular resort of all foreigners in Havana, and particularly of Americans and Frenchmen. It is capable of accommodating some hundreds of visitors at a time, and is generally well filled every afternoon and evening. In the centre is a large open court, paved with white marble and jasper, and containing a fountain in the middle, around which the visitors are seated. Probably no establishment in the world can supply a larger variety of preserves, bon-bons and confectionaries generally, than this, the fruits of the island supplying the material for nearly a hundred varieties of preserves, which the proprietor exports largely to Europe and America, and has thereby accumulated for himself a fortune.
Following the street on which is this famous confectionary, one is soon brought to the city walls, and, passing outside, is at once ushered into the Tacon Paseo, where all the beauty and fashion of the town resort in the after part of the day. It is a mile or more in length, beautifully laid out in wide, clean walks, with myriads of tropical flowers, trees and shrubs, whose fragrance seems to render the atmosphere almost dense. Here the ladies in their volantes, and the gentlemen mostly on foot, pass and repass each other in a sort of circular drive, gayly saluting, the ladies with a coquettish flourish of the fan, the gentlemen with a graceful wave of the hand.
In these grounds is situated the famous Tacon Theatre. In visiting the house, you enter the first tier and parquette from the level of the Paseo, and find the interior about twice as large as any theatre in this country, and about equal in capacity to Tripler Hall, New York, or the Music Hall, Boston. It has five tiers of boxes, and a parquette with seats, each separate, like an arm-chair, for six hundred persons. The lattice-work in front of each box is light and graceful, of gilt ornament, and so open that the dresses and pretty feet of the señoras are seen to the best advantage. The decorations are costly, and the frescoes and side ornaments of the proscenium exceedingly beautiful. A magnificent cut-glass chandelier, lighted with gas, and numerous smaller ones extending from the boxes, give a brilliant light to this elegant house. At the theatre the military are always in attendance in strong force, as at all gatherings in Cuba, however unimportant, their only perceptible use, however, being to impede the passages, and stare the ladies out of countenance. The only other noted place of amusement is the Italian opera-house, within the city walls, an oven-shaped building externally, but within appropriately and elegantly furnished with every necessary appurtenance.
No object in Havana will strike the visitor with more of interest than the cathedral, situated in the Calle de Ignacio. Its towers and pillared front of defaced and moss-grown stone call back associations of centuries gone by. This cathedral, like all of the Catholic churches, is elaborately ornamented with many fine old paintings of large size and immense value. The entire dome is also decorated with paintings in fresco. The chief object of interest, however, and which will not fail to attract the attention, is a tablet of marble inlaid in the wall at the right of the altar, having upon its face the image of Christopher Columbus, and forming the entrance to the tomb where rest the ashes of this discoverer of a western world; here, too, are the iron chains with which an ungrateful sovereign once loaded him. How great the contrast presented to the mind between those chains and the reverence bestowed upon this tomb![23]
