"How can these priests and their assistants maintain sufficient interest to keep up this terrible din so ceaselessly?" was asked of a local planter.

"The funds of the temple are ample," was the reply. "There is a constant flow of rupees into the treasury, and these people are well paid for their services in keeping up the sham."

"Whence comes the money?" was asked.

"Large sums come from India and from visiting pilgrims, besides which the faithful native Singhalese contribute in the aggregate no inconsiderable amount."

"Credulous orientals," was our response.

"You must remember," was our companion's reply, "that this edifice and the surroundings, including the bo-tree, is considered the holiest spot in all the Buddhistic world."

The ceremonies which took place within the temple during a brief visit by the author consisted of grotesque dances and the beating of drums and blowing of horns, all without any apparent rhyme or reason. A procession of dirty priests, preceded by a drum and fife, passed hither and thither before an altar upon which incense was burning. No coherence of purpose, however, was exhibited by any one, but each person seemed to be trying to make all the noise and grotesque gesticulations possible. A North American Indian powwow would be a fair comparison to the performance which was witnessed on this occasion. A few pilgrims, after first pouring water upon their hands and feet, purchased flowers from venders who frequent the doors of the temple, and placed them on and about the altar. This was the most sensible and consistent procedure which was adopted by priest or layman inside the temple walls. The flowers were the white blossoms of the frangipani, whose fragrance was oppressively strong. It was a great relief to get outside of the moss-grown edifice, far away from the horrible din and the terribly offensive smell, which permeated not only the place, but one's clothing for hours afterwards.

There are seven other temples and chapels at Kandy, belonging to different denominations, besides two Buddhist ecclesiastical colleges. The Malwatta temple is worth a visit, it being the most important Buddhist monastery, where all the priests of the order in Ceylon, upon assuming the yellow robe which is their badge of office, come to formally utter their solemn vows. These bronzed priests, in saffron-colored, toga-like robes, followed by an attendant carrying a yellow silk umbrella, are rather striking figures in the thoroughfares of this inland town. In the time of the late king, no one but his imperial majesty and the priesthood were permitted to carry an umbrella, but men with no other covering from the sun but a cloth wound about the hips carry this article in our day, and derive much comfort from the shade it affords.

The less said about what these natives call music the better. Indeed, it would seem as though oriental music was invented only to torment European ears. Ivory horns, tom-toms, fifes, and the rudest sort of bass drums are the instruments most in use with the Singhalese, a few Chinese stringed contrivances being occasionally added, simply increasing the horror. The sounds of the latter instruments resemble most the cries of a pugnacious conclave of tomcats on the rampage at midnight. The query forcibly suggests itself in this connection, as to whether the instrumental music of western civilized people can possibly sound to these orientals so uncouth and so hideous as do their own performances to us.

In the porch of the Kandy temple and its immediate vicinity, just as one sees in and about the Roman Catholic churches of Europe, are groups of wretched-looking beggars, at all hours, most of whom, after the conventional style prevailing elsewhere, exhibit some physical deformity which is their stock in trade. Some of these endeavor to excite sympathy by thrusting self-inflicted wounds before the stranger's eyes,—wounds which are kept in a chronic condition of soreness by various irritating processes adopted for this purpose. One cannot but be impressed as much through the picturesqueness of the scene presented by the half-naked, ragged, cadaverous throng as by the sad moral which these poor creatures suggest. There are adroit and ingenious beggars all over the globe, and nowhere do they more abound than in the East; individuals amply able to care for themselves, but who prefer to exercise persistent industry and cannibalism, so to speak, in living upon their fellow-men. The same degree of assiduity practiced in legitimate business or useful occupation of almost any sort would insure ample and respectable support. Begging and painted distress are indigenous to all climes.