Twentieth Century Culture and Deportment / Or the Lady and Gentleman at Home and Abroad; Containing Rules of Etiquette for All Occasions, Including Calls; Invitations; Parties; Weddings; Receptions; Dinners and Teas; Etiquette of the Street; Public Places, Etc., Etc. Forming a Complete Guide to Self-Culture; the Art of Dressing Well; Conversation; Courtship; Etiquette for Children; Letter-Writing; Artistic Home and Interior Decorations, Etc.

by Maud C. Cooke

The central epergne, holding a luscious mass of bridemaids’ roses, was laid on a circle of filmy, transparent “bolting cloth,” the edge of which was embroidered with a wreath of pink roses of natural size and varied shades. Even the salt was contained “in the heart of a rose”— tiny little porcelain affairs—originally intended for candlesticks, but now appropriately used for the symbol of hospitality.

Dresden cupids, in pretty and artistic poses, held dishes filled with candied rose leaves and heart-shaped cakes covered with pink icing.

A wreath of paper roses surrounded the drop-light above the table; the ladies’ names were written on rose-petals (of cardboard), the sorbet was in the form of pink roses and flavored with the cordial parfait amour, while the ice cream repeated the design, and was served in a garden hat of straw-colored candy wreathed with natural roses. The human flowers around the table against such a background of “sweetness and light” made the scene one to be remembered.

Blue and White Tableware.

A contrast to the foregoing (which was, perhaps, rather suggestive of languors and luxury) was a dainty, prim little luncheon, where the table decorations were all of the soft delf, blue and white.

The centerpiece held bluets and “marguerites,” that carried one’s thoughts far afield, and brought memories of flower-scented breezes and of joys, healthful, pure and vivifying.

The service was entirely of blue and white delf china, and the quaint candelabra, of like material, were decorated with crimped paper candle shades repeating the same colors. Under the dish holding the flowers was a square of linen embroidered in blue. The design was an exact copy of that on the china.

The candlelight merely illuminated the little shades and added to the effectiveness of the decorations, but its pale beams were lost in the sunshine that streamed into the room and lighted up the intelligent faces of the women about the table.

Each guest read on the reverse side of her name card a little rhyming assurance of her welcome. For instance:

“If wishes were dishes,