[33] Cavalcaselle e Crowe, viii. 424, etc.
[34] Ital. Forsch. ii. 333.
[35] Vischer, 77, etc. Vischer considers the likeness to Fiorenzo due to their mutual relation to Verrocchio.
[36] Even the splendid decorative engraving called "The Battle of the Nudes," is only a series of duels. A comparison of these figures with the two nude executioners in the Brera "Flagellation" will justify the assertion of Signorelli's superiority as a master of anatomy and movement.
[37] Specially in "The Death of Virginia," of the Morelli Collection, Bergamo, and the sketched figures in the repainted "Adoration of the Magi," lately exposed in the Uffizi.
[38] "Purgatorio," ii. 38.
[39] For example, in the "Madonna," of the Mancini Collection, and "The Crowning of the Elect," at Orvieto.
[40] Signorelli's pictures, when not frescoed, are invariably painted with oil.
[41] "Italian Painters," i. 92.