I cannot help feeling that all these might have been detained on earth to a ripe age, had the maiden been left free to decide the most important question of her life to her liking; for, in a letter written by Colonel Byrd when Evelyn was a slip of a girl, I read concerning the maiden, “She has grown a great romp and enjoys robust health.” Yet a few years later, the robust romp has faded to a shadow, and is laid away in the family graveyard, and only her portrait by Sir Godfrey Kneller, remains to appeal to the sentiment and sympathy of posterity.

The gentle Evelyn Byrd was not the only one whom the traditions of the Colonial Cavalier credit with carrying to the grave a heart scarred with the wounds of unhappy love. Lord Fairfax, who lived to be over sixty and kept open house at Belvoir, where Washington visited him and kept him company in riding to hounds over hill and dale; Lord Fairfax—with his gaunt, tall frame; his gray, near-sighted eyes, and prominent aquiline nose, little outward resemblance as he might bear to the original of the almond-eyed portrait at Brandon—resembled her at least in a wounded heart and a broken career. In his youth, this solitary Virginia recluse had been a brilliant man-about-town in the gay world of London. He had held a commission in “the Blues”; he had known the famous men of the day, he had dabbled in literature, and contributed a paper now and then to the Spectator. When his career of fashion was at its height, he paid his addresses to a young lady of rank and was accepted. The day for the wedding was fixed—the establishment furnished, even to equipage and servants—when the inconstant bride-elect, dazzled by a ducal coronet, broke her engagement. The blow wrought a complete change in the jilted lover. From that time he shrank from the society of all women, and finally came over to Virginia to hide his hurt in the Western forests.

Spite of such traditions of melancholy, the actual career of most of the people of those times forms a curious contrast to the ideals of their poetry and fiction. With scarcely an exception, they survived their unsuccessful love affairs, and lived in prosperous serenity with others than the first rulers of their hearts.

There is Jefferson, for instance. Almost the first letter in his published correspondence is devoted to a confession of his tender passion for a young lady dwelling in the town of Williamsburg. Yet her name is not the one that stands next his own on the marriage register. This first love of his was a Miss ’Becca Burwell. We chance upon the young collegian’s secret as we open his letter to John Page, written on Christmas day, 1762. He begins jocularly enough, yet only half in fun after all: “I am sure if there is such a thing as a Devil in this world, he must have been here last night, and have had some hand in contriving what happened to me. Do you think the cursed rats (at his instigation, I suppose) did not eat up my pocket-book, which was in my pocket, within a foot of my head? And not contented with plenty for the present, they carried away my jemmy-worked silk garters and half a dozen new minuets I had just got.” “Tell Miss Alice Corbin,” he adds, “that I verily believe the rats knew I was to win a pair of garters from her, or they never would have been so cruel as to carry mine away.”

Christmas day, indeed, found him in sorry case. These losses he could have borne, but worse remained to tell: “You know it rained last night, or if you do not know it, I am sure I do. When I went to bed I laid my watch in the usual place; and going to take her up after I arose this morning, I found her in the same place, ’tis true, but—quantum mutatus ab illo—all afloat in water, let in at a leak in the roof of the house, and as silent and still as the rats that had eat my pocket-book. Now, you know, if chance had had anything to do in this matter, there were a thousand other spots where it might have chanced to leak as well as this one, which was perpendicularly over my watch. But, I’ll tell you, it’s my opinion that the Devil came and bored the hole over it on purpose.” It was not the injury to his timepiece which drew forth these violent, half-real, half-jesting objurgations; no, there was a sentimental reason behind. The water had soaked a watch-paper and a picture, so that when he attempted to remove them, he says: “My cursed fingers gave them such a rent as I fear I shall never get over. I would have cried bitterly, but that I thought it beneath the dignity of a man!” The mystery of the original of the picture and the maker of the watch-paper is soon explained, for a page or two further on, he trusts that Miss ’Becca Burwell will give him another watch-paper of her own cutting, which he promises to esteem much more, though it were a plain round one, than the nicest in the world cut by other hands. “However,” he adds, “I am afraid she would think this presumption, after my suffering the other to get spoiled.”

A very real and tumultuous passion this of young Tom Jefferson’s! Every letter he writes to his friend teems with reference to her. Now she is R. B.; again Belinda; and again, with that deep secrecy of dog Latin so dear to the collegian, she figures as Campana in die (bell in day); or, still more mysteriously, as Adnileb, written in Greek that the vulgar world may not pry into the sacred secret. Oh, youth, youth, how like is the nineteenth century to the eighteenth, and that to its preceding, till we reach the courtship of Adam and Eve!

In October, ’63, he writes to his old confidant: “In the most melancholy fit that ever any poor soul was, I sit down to write you. Last night, as merry as agreeable company and dancing with Belinda in the Apollo could make me, I never could have thought the succeeding sun could have seen me so wretched as I now am!... I was prepared to say a great deal. I had dressed up in my own mind such thoughts as occurred to me in as moving a language as I knew how, and expected to have performed in a tolerably creditable manner. But, good God! when I had an opportunity of venting them, a few broken sentences, uttered in great disorder and interrupted with pauses of uncommon length, were the too visible marks of my strange confusion.” The framer of the Declaration of Independence, whose eloquence startled the world, found himself tongue-tied and stammering in a declaration of love to a provincial maiden.