When Anikin got up after his restless and sleepless night he walked out into the park. The visitors were drinking the waters in the Pavilion and taking monotonous walks between each glass. Asham was sitting in a chair under the trees. His servant was reading out the Times to him. Anikin smiled rather bitterly to himself as he reflected how many little dramas, comedies and tragedies might be played in the immediate neighbourhood of that man without his being aware even of the smallest hint or suggestion of them. He sat down beside him. The servant left off reading and withdrew.

"Don't let me interrupt you," said Anikin, but after a few moments he left Asham. He found he was unable to talk and went back to the hotel, where he drank his coffee and for a time he sat looking at the newspapers in the reading room of the Casino. Then he went back to the park. One thought possessed him, and one only. How was he to do it? Should he say it, or write? And what should he say or write? He caught sight of Arkright who was in the park by himself. He strolled up to him and they talked of yesterday's expedition. Arkright said there were some lakes further off than those they had visited, which were still more worth seeing. They were thinking of going there next week—perhaps Anikin would come too.

"I'm afraid not," said Anikin. "My plans are changed. I may have to go away."

"To Russia?" asked Arkright.

"No, to Africa, perhaps," said Anikin.

"It must be delightful," said Arkright, "to be like that, to be able to come and go when one wants to, just as one feels inclined, to start at a moment's notice for Rome or Moscow and to leave the day after one has arrived if one wishes to—to have no obligations, no ties, and to be at home everywhere all over Europe."

Arkright thought of his rather bare flat in Artillery Mansions, the years of toil before a newspaper, let alone a publisher, would look at any of his manuscripts, and then the painful, slow journey up the stairs of recognition and the meagre substantial rewards that his so-called reputation, his "place" in contemporary literature, had brought him; he thought of all the places he had not seen and which he would give worlds to see—Rome, Venice, Russia, the East, Spain, Seville; he thought of what all that would mean to him, of the unbounded wealth which was there waiting for him like ore in quarries in which he would never be allowed to dig; he reflected that he had worked for ten years before ever being able to go abroad at all, and that his furthest and fullest adventure had been a fortnight spent one Easter at a fireless Pension in Florence. Whereas here was this rich and idle Russian who, if he pleased, could roam throughout Europe from one end to the other, who could take an apartment in Rome or a palace in Venice, for whom all the immense spaces of Russia were too small, and who could talk of suddenly going to Africa, as he, Arkright, could scarcely talk of going to Brighton.

"Life is very complicated sometimes," said Anikin. "Just when one thinks things are settled and simple and easy, and that one has turned over a new leaf of life, like a new clean sheet of blotting-paper, one suddenly sees it is not a clean sheet; blots from the old pages come oozing through—one can't get rid of the old sheets and the old blots. All one's life is written in indelible ink—that strong violet ink which nothing rubs out and which runs in the wet but never fades. The past is like a creditor who is always turning up with some old bill that one has forgotten. Perhaps the bill was paid, or one thought it was paid, but it wasn't paid—wasn't fully paid, and there the interest has gone on accumulating for years. And so, just as one thinks one is free, one finds oneself more caught than ever and obliged to cancel all one's new speculations because of the old debts, the old ties. That is what you call the wages of sin, I think. It isn't always necessarily what you would call a sin, but is the wages of the past and that is just as bad, just as strong at any rate. They have to be paid in full, those wages, one day or other, sooner or later."

Arkright had not been an observer of human nature and a careful student of minute psychological shades and impressions for twenty years for nothing. He had had his eyes wide open during the last weeks, and Mrs. Knolles had furnished him with the preliminary and fundamental data of her niece's case. He felt quite certain that something had taken place between Anikin and Kathleen. He felt the peculiar, the unmistakeable relation. And now that the Russian had served him up this neat discourse on the past he knew full well that he was not being told the truth. Anikin was suddenly going away. A week ago he had been perfectly happy and obviously in an intimate relation to Miss Farrel. Now he was suddenly leaving, possibly to Africa. What had happened? What was the cause of this sudden change of plan? He wanted to get out of whatever situation he found himself bound by. But he also wanted to find for others, at any rate, and possibly for himself as well, some excuse for getting out of it. And here the fundamental cunning and ingenious subtlety of his race was helping him. He was concocting a romance which might have been true, but which was, as a matter of fact, untrue. He was adding "the little more." He was inventing a former entanglement as an obstacle to his present engagements which he wanted to cancel.

Arkright knew that there had been a former entanglement in Anikin's life, but what Anikin did not know was that Arkright also knew that this entanglement was over.