"I am laughing at your intuition," said Anikin. "You novelists are terrible people."

"He knows I have seen through him," thought Arkright, "and he doesn't mind. He wanted me to see through him the whole time. He wants me to know that he knows I know, and he doesn't mind. I think that all this elaborate romance was perhaps only meant for me. He will choose some simpler means of breaking off his engagement with Miss Farrel than by pleading a past obligation. He is far subtler and deeper than I thought, subtler and deeper in his simplicity. I should not be surprised if he were to give her no explanation whatsoever."

Arkright was in a sense right. What Anikin had said to Arkright was meant for him and not for Miss Farrel. It was not a rehearsal of a possible explanation for her, but it was the testing of a possible justification of himself to himself. He had not thought out what he was going to say before he began to talk to Arkright. He had begun with fact and had involuntarily embroidered the fact with fiction. It was Wahrheit und Dichtung and the Dichtung had got the better of the Wahrheit. His passion for make-belief and self-analysis had carried him away, and he had said things which might easily have been true and had hinted at difficulties which might have been his, but which, in reality, were purely imaginary. When he saw that Arkright had divined the truth, he laughed at the novelist's acuteness, and had let him see frankly that he realized he had been found out and that he did not mind.

It was cynical, if you called that cynicism. Anikin would not have called it something else: the absence of cement, which a Russian writer had said was the cardinal feature of the Russian character. He did not mean to say or do anything to Kathleen that could possibly seem slighting. He was far too gentle and far too easy-going, far too weak, if you will, to dream of doing anything of the kind. With her, infinite delicacy would be needed. He did not know whether he could break off his engagement at all, so great was his horror of ruptures, of cutting Gordian-knots. This knot, in any case, could not be cut. It must be patiently unravelled if it was to be untied at all.

"I think," said Arkright, "that all these cases are simple to reason about, but difficult to act on." Anikin was once more amazed at the novelist's perception. He laughed again, the same puzzling, quizzical Slav laugh.

"You Russians," said Arkright, "find all these complicated questions of conflicting duties, divided conscience and clashing obligations, much easier than we do."

"Why?" asked Anikin.

"Because you have a simple directness in dealing with subtle questions of this kind which is so complete and so transparent that it strikes us Westerners as being sometimes almost cynical."

"Cynical?" said Anikin. "I assure you I was not being cynical."

He said this smiling so naturally and frankly that for a moment Arkright was puzzled. And Anikin had been quite honest in saying this. He could not have felt less cynical about the whole matter; at the same time he had not been able to help taking momentary enjoyment in Arkright's acute diagnosis of the case when it was put to him, and at his swift deciphering of the hieroglyphics and his skilful diagnosis, and he had not been able to help conveying the impression that he was taking a light-hearted view of the matter, when, in reality, he was perplexed and distressed beyond measure; for he still had no idea of what he was to do, and the threads of gossamer seemed to bind him more tightly than ever.