Where heroism has been so shown on all sides of us in these three dreadful years, it is no longer possible to pick and choose heroic nations. One might otherwise have said that no such heroes were ever given to the world as the heroes of Iceland. That they are not accepted as such on all hands is no fault of the literature which presents them; for that literature, like all great art, makes demands upon its readers. It hands over the key, but if the lock is stiff it will not give you oil for the wards. That you must find for yourself. Oil for the wards is all I can pretend to here; and if I may say that I have humanised a tale of endurance, and clothed demigods and shadows in flesh and blood, I shall feel that I have done useful work, and bear charges of vulgarisation with a philosophy which assures me that the two terms are much of a muchness.
The great gestures, the large-scale maps, the grand manner are for history and epic, but genre for the novel—and what genre is so momentous to it as the human? Let Homer describe the wrath of Achilles and the passion of Hektor and Andromache. The novelist will want to know what Briseïs felt when she was handed from hero to hero, will pore upon the matronly charity of Theano, the agony of the two young men Achilles slew by Skamander, and find the psychology of these pawns in the great game as enthralling as that of the high movers. I confess that to me Gudrid, the many times a wife and the always sweet and reserved, is more absorbing a tale than the discovery of Wineland. I like the two running Scots better than their country, would barter all Greenland for the tale of the winter sickness in Thorstan Black's house. So much apology I feel moved to offer for having put down Exploration from the chief place in the tale, and put up a wife and mother.
As for the verse—Gudrid's Wardlock chant is adapted from the Lay of
Swipday and Merglad in Corpus Poeticum Boreale, I, 92 seq., and
Thorstan's Song of Helgi and Sigrun is a partial version of that epic
(ibid. 131).
GUDRID THE FAIR
I
Thorbeorn was old when this tale begins. His face was lean, his beard was grey, he stooped somewhat in the saddle. But he had a fiery mind, a high spirit, and was so rich, or believed so, that men said he could buy off Death more likely than any other man, seeing he would neither fail of hardihood nor money.
By this time, old age apart, he had done very well for himself, having not only buried a wife, but married another; having not only seen three sons out into the world and become a grandfather twice over; but having had also, by his second wife, whose name was Hollweg, a daughter, and an estate of Bathbrink which could be hers by and by, if he so pleased. This daughter was by name Gudrid, and by all men's consent Gudrid the Fair. Iceland has always been famous for handsome women; but three are chiefly commemorated as "the Fair." The first is Gudrun, who was daughter of Oswif; but she was now old. The second is Stangerd, daughter of Thorkel of Tongue, and at this time the wife of Battle-Berse of Sowerby in the north-west parts. This Gudrid, Thorbeorn's daughter, is the third, and was, at the moment, of marriageable age, being full fifteen years old.
She was a tall girl, well and beautifully made, with carriage so graceful and look so courteous that men used to stop in the road and gaze after her as she walked. Her hair was very nearly black, and made a plait which she could easily sit upon. She was no talker, but had the best of manners, whereby it happened that those who talked with her were eloquent and believed that she had been so. She had a beautiful voice and notable skill in singing. Men heard her songs, and rushed out into the dark emulous of desperate work, and the sooner the better, to deserve well of her. Thorbeorn was very proud of her; but it had been her mother's work to have her carefully trained. If she had lived this tale might not have been written; but she did not. She died a year before it begins, and left her old husband to a peck of troubles.
Thorbeorn was the last man to cope with trouble. He was too proud, too vain, and too idle—too proud to confide, too vain to accept, too idle to repair. He had always kept a great table and had a hall full of guests. He had them still, though he had not the money to pay for them. He borrowed on his property, and borrowed again to repay the first loans; he had ventures at sea, which failed him. He might have had help from his sons, but would not ask them. When Gudrid was fifteen years old these things vexed him sadly; but what vexed him more was that young men came to Bathbrink to see if they could get speech with her; and that some of them put forward friends with proposals to marry her. So far he had refused to treat with any. "It is not to be thought of," he generally said; sometimes, "It is very unsuitable"; and once, "I am greatly offended." Not that he did not fully intend to have her married—rather it was that he had a rooted belief in the greatness of his family and in the girl's merits, and could find none of the suitors at all equal to them.
He was one of those men who rather wish to believe in themselves than do it. He was always on the look-out for flaws upon his mettle. He thought that Gudrid was unapproachable, and when he found that she was not, fretted to make her so. But Gudrid herself was not at all unapproachable. She liked the company of her equals in age, and saw no reason why young men should not be anxious to talk to her, or why, if they hung about with the generality at the lower end of the hall, they should not be invited to the fire. With the girls in the bower she talked freely of courtships, and of young men. Thorbeorn would have been cut to the heart to hear her. It might have been better for him to have such a wound than the wound which actually he did receive.