“He’s a Bedlington,” said his owner, above the sizzling eggs, “a beauty and a devil. He likes you evidently—and reasonably. He won’t curl up like that on every lady’s skirts, I assure you. Don’t talk though, or I can’t beat up this thing. Talk to Bingo; he’s my friend.”
This friendly, cool-tempered young man was, she thought, very odd to look at—long in the body and thin in the leg. He was quite new to her experience. Gentlefolk she knew, and other folk, her own, and all the infinite gradations between—county, clergy, professional, retired military, down to commercial and even lower. This was a gentleman certainly—and yet—well, there was Mr. Duplessis, for instance, with whom you were never to forget that he was a gentleman and you were village. Mr. Duplessis was very easy, until you were easy too—then he got stiff directly, and back you must go. But this strange gentleman didn’t seem to notice such things; he seemed too full of what he was thinking about, or doing—and if he looked at you by chance, as often as not he didn’t seem to see you; and when you looked at him, he never noticed it at all. She adjudged him “foreign,” and to be sure, he had a narrow, foreign face, very swarthy, with a pair of piercing black eyes, a baffling smile, and quick, sudden ways of turning both against you, as if he had that moment found you out, and was amused. At other times, as she came to learn, those eyes of his could be fathomless and vacant, could stare through you as if you were a winter hedge. His hair was jet-black, and straight, and his moustache followed his mouth and curled up when he smiled. She had never seen a man so deft with his fingers or so light and springy on his feet. Those long, eager fingers—she could still feel them at her ankle and marvel at their strength and gentleness as they sought about and plucked free the biting wire. His dress too was extraordinary—a long white sweater with a rolling collar, a pair of flannel trousers; no socks, but sandals on his feet. Long and bony feet they were, beautifully made, she said. Whatever he was or was not, certainly he was kind and interesting; and perhaps the most baffling quality about him was his effect upon herself—that she was entirely at home in his company, and had no care to know what he thought about her.
He served her with omelette hot and poured her out a glass of pale wine, which smelt like flowers, and was stronger, she found, than it seemed. A picnic at midnight! It was great fun! She glanced at her host, and was answered by a gleam. He was enjoying it, too. “Do you know what I’m going to do next?” he asked her, breaking the first silence he had kept since the encounter. “I shall catch that absorbed ghost, which is really a horse, and take you your three miles in my cart. Before that I shall mend your puncture for you.”
She wouldn’t allow that. “Please, not. I can mend it quite well to-morrow, and won’t have you spoil your supper. I have had mine, you must remember and if I am to have another, I insist upon your company.” He laughed “All right,” and fell to again.
Perhaps her wine made her talkative; but I think that she had leisure of mind to be interested. At any rate, she volleyed him a string of questions about himself, at all of which he laughed—but she found out mostly what she wanted to know. As thus—That cart contained his whole worldly property. “It’s my house, or my bed, or both; it’s my carriage and pair, my bank, studio, library, forcing-house, potting-shed, bath-room, bed-room, as I choose it. When it’s wet I can be dry in there; when it’s fine, I leave it alone. It’s all I have, and it’s more than enough. I’ve pared it down to the irreducible minimum, and yield now to one man only—the tramp. Him I believe to be the wisest son of man, for he has nothing at all. Now, you know, the less you have of your own, the more you have of everybody’s. The whole world is the tramp’s; but it can’t be mine, because of that shell on wheels. I am as the snail to the hare—but what are you, pray, and the rest of your shackled generation? . . .
“There’s a tent in that cart, which will go up in ten minutes—anywhere. And the materials of my trades are there—I’ve several. I scratch poetry—and paint in water-colours—and ain’t bad at tinkering.” At this she gazed with all her eyes; but he assured her, “I’ll mend you a kettle as soon as your bike. I learnt sawdering from a drunken old Welshman under the shadow of Plinlimmon. He died in my arms presently, and left me his tools as well as his carcase. . . . You need not be shocked. I do it because I like it—I don’t say that I should be ruined, mind you, if I gave it up . . . but one can’t paint against the mood, still less write. . . .
“I’ve done this sort of thing—and gardening (I’m a bit of a gardener, too)—for nine years or more, and shall never do anything else. Why should I? I’m perfectly happy, quite harmless, and (I do believe) useful in my small way. I could maintain that, I think, before a judge and jury.”
He had no need, certainly, to maintain it at length before his present hearer, who was very ready to believe him; but he seemed to feel in the vein to justify himself.
“You see, I’m self-sufficient. I renounced my patrimony on deliberation, and support myself and a little bit over. Tinkering don’t go far, I own—sometimes I do it for love, too. But I sell a picture now and then to a confiding poor devil who only asks to buy ’em, and do very well. I destroy most of ’em, because they don’t come off; if I had the nerve to sell those I should have more money for plants.”
She stopped him here. “Plants!” she said, puzzled, “but——”