Duplessis took no heed; the babbler ran on. . . . “This is my mater—wonder what she’s got to say? I rather funk the Dowager. . . . Hulloa! By Gad, that’s rum. I say, Duplessis, did you know a chap called Senhouse at Cambridge? Pembroke, was he? Or King’s? King’s, I think . . . it was King’s. Did you know him? Jack Senhouse—John Senhouse—rum chap.”
“Eh? Senhouse? Oh, yes, I knew him. Used to see him about.” Duplessis resumed his letters; one, especially, made him frown—then stare out of the window. He read others but returned to that.
Lord Bramleigh went on. “I want to tell you about this chap Senhouse. Of course, I never knew him at the Varsity—ages before me, he was. Good footer—player—ran with the beagles—ran like the devil; rowed a bit, painted a bit, sang a damned good song: Jack Senhouse. Well, he’s mad. Rich chap—at least, his father was rich—alderman somewhere, I b’lieve—say, Birmingham . . . one of those sort of places. Well, Jack Senhouse chucked all that—took to painting, scribbling, God knows what. His governor gets cross—sends him round the world on the chance he’ll settle down by’n by. Not he! Gets up to all sorts of unlawful games—cuts the ship and starts off on his own across Morocco; gets hung up at Fez—row with a Shereef about his wife or wives. Foreign Office has to get to work—makes it all right. Senhouse goes? Not he. Stays there all the same—to learn the language, I’ll ask you. Language and plants. He collects plants in the Atlas. So he goes on. Then he gets back home. ‘Hope you’ll settle down to the office, my boy,’ says his governor. ‘No, thank ye,’ says Jack, and doesn’t. He was off again on the tramp somewhere—turns up in Russia—if Warsaw’s in Russia—anyhow he turns up where Warsaw is—talking to the Poles about Revolution. Still collects plants. They put him over the frontier. He goes to Siberia after plants and politics. More rows. Well, anyhow, he came back a year ago, and said he was a tinker. He’d learned tinkerin’ somewhere round, sawderin’ and all that—and I’m damned if he didn’t set up a cart and horse and go about with a tent. He paints, he scribbles, he tinkers, he sawders—just as he dam’ pleases. And he turns England into a garden, and plants his plants. He’s got plants out all over the country. I tell you—the rummiest chap. Up in the Lakes somewhere he’s got a lot—growin’ wild, free and easy—says he don’t want hedges round his things. ‘Let ’em go as they please,’ he says. So he turns the Land’s End into a rockery and stuffs the cracks with things from the Alps. He’s made me promise him things from the Pyrenees, confound him—you’ll have to help me with ’em. And irises on Dartmoor—from the Caucasus! And peonies growin’ wild in South Wales—oh, he’s mad! You never saw such a chap. And so dam’ reasonable about it. I like the chap. He’s all right, you know. He’s been turned out of every village in England pretty well, ’cause he will talk and will camp out, and plant his plants in other men’s land. I met him once bein’ kicked out of Dicky Clavering’s place—regular procession—and old Jack sittin’ up in his cart talkin’ to the policeman like an old friend. Admirin’ crowd, of course—the gels all love him, he’s so devilish agreeable, is Jack. I tell you, he learnt more than one sort of sawderin’. And as for his flowers—well, you know there’s a language of ’em. Well, now, what do you think? I’ve heard from the Dowager, and I’ll be shot if she hasn’t just turned old Jack out of my place! Found him campin’ in the park, with one of the maids boilin’ his kettle, and another cuttin’ bread and butter for him. Plantin’ peonies he was—in my park! Dam’ funny business; but the end’s funnier still. The Dowager, out driving, comes home—sees Master Jack waiting for his tea. Stops the carriage—sends the footman to order him off. Jack says he’ll go after tea. This won’t suit the Dowager by any means—so there’s a row. Jack comes up to explain; makes himself so infernally agreeable that I’ll be jiggered if the Dowager don’t ask him to dinner, and up he turns in evenin’ togs, just like you or me. After dinner—‘Good-night, my lady,’ says Jack. ‘I must be off early, as I’ve some saucepan bottoms waiting for me—and I’ve promised ’em for to-morrow sharp’—says Jack. Now—I say, I don’t believe you’ve heard a word of all this.”
Duplessis, I think, had not. He had been frowning at the glare outside, biting his cheek; in his hand was a crumpled-up letter.
“Look here, Bramleigh, I must get out of this,” he said. “I want to go home.” Lord Bramleigh, never to be surprised, emptied his tumbler.
Then he asked, “What’s up? No trouble, I hope?”
He had a gloomy stare for his first answer, and for second—“No, I don’t say that. I don’t know. That’s why I am off—to see.”
A man’s pleasure is a matter of course to your Bramleighs: the moral and social order must accommodate itself to that.
“That’s all right,” said Lord Bramleigh, therefore. “When do you go? To-morrow?”
“I go this evening.” The effect of this was to raise Lord Bramleigh’s scalp a shade higher.