Helen Redeemed and Other Poems

by Maurice Hewlett

HYPSIPYLE

Queen of the shadows, Maid and Wife,
Twifold in essence, as in life,
The lamp of Death, the star of Birth,
Half cradled and half mourned by Earth,
By Hell half won, half lost! aid me
To sing thy fond Hypsipyle,
Thy bosom's mate who, unafraid,
Renounced for thee what part she had
In sun and wind upon the hill,
In dawn about the mere, in still
Woodlands, in kiss of lapping wave,
In laughter, in love—all this she gave!—
And shared thy dream-life, visited
The sunless country of the dead,
There to abide with thee, their Queen,
In that gray region, shadow-seen
By them that cast no shadows, yet
Themselves are shadows. Nor forget,
Koré, her love made manifest
To thee, familiar of her breast
And partner of her whispering mouth.

Thee too, Our Lady of the South,
Uranian Kypris, I invoke,
Regent of starry space, with stroke
Of splendid wing, in whose white wake
Stream those who, filled with thee, forsake
Their clinging shroudy clots, and rise,
Lover and loved, to thy pure skies,
To thy blue realm! O lady, touch
My lips with rue, for she loved much.

What poet in what cloistered nook,
Indenting in what roll of a book
His rhymes, can voice the tides of love?
Nay, thrilling lark, nay, moaning dove,
The nightingale's full-chargéd throat
That cheereth now, and now doth gloat,
And now recordeth bitter-sweet
Longing, too wise to image it:
These be your minstrels, lovers! Choose
From their winged choir your urgent Muse;
Let her your speechless joys relate
Which men with words sophisticate,
Striving by reasons make appear
To head what heart proclaims so clear
To heart; as if by wit to wis
What mouth to mouth tells in a kiss,
Or in their syllogisms dry
Freeze a swift glance's cogency.
Nay, but the heart's so music-fraught,
Music is all in love, words naught.
One heart's a rote, with music stored
Though mute; but two hearts make a chord
Of piercing music. One alone
Is nothing: two make the full tone.

I

On Enna's uplands, on a lea
Between the mountains and the sea,
Shadowed anon by wandering cloud,
Or flickering wings of birds a-crowd,
And now all golden in the sun,
See Koré, see her maidens run
Hither and thither through those hours
Of dawn among the wide-eyed flowers,
While gentian, crocus, asphodel
(With rosy star in each white bell),
Anemone, blood-red with rings
Of paler fire, that plant that swings
A crimson cluster in the wind
They pluck, or sit anon to bind
Of these earth-stars a coronet
For their smooth-tresséd Queen, who yet
Strays with her darling interlaced,
Hypsipyle the grave, the chaste—
Her whose gray shadow-life with his
Who singeth now for ever is.
She, little slim thing, Koré's mate,
Child-faced, gray-eyed, of sober gait,
Of burning mind and passion pent
To image-making, ever went
Where wonned her Mistress; for those two
By their hearts' grace together grew,
The one to need, the one to give
(As women must if they would live,
Who substance win by waste of self
And only spend to hoard their pelf:
"O heart, take all of mine!" "O heart,
That which thou tak'st of thee is part—
No robbery therefore: mine is thine,
Take then!"): so she and Proserpine
Intercommunion'd each bright day,
And when night fell together lay
Cradled in arms, or cheek to cheek
Whispered the darkness out. Thou meek
And gentle vision! let me tell
Thy beauties o'er I love so well:
Thy sweet low bosom's rise and fall,
Pulsing thy heart's clear madrigal;
Or how the blue beam from thine eyes
Imageth all love's urgencies;
Thy lips' frail fragrance, as of flowers
Remembered in penurious hours
Of winter-exile; of thy brow,
Not written as thy breast of snow
With love's faint charact'ry, for his wing
Leaves not the heart long! Last I sing
Thy thin quick fingers, in whose pleaching
Lieth all healing, all good teaching—
Wherewith, touching my discontent,
I know how thou art eloquent!
Remember'd joy, Hypsipyle!
Now may that serve to comfort me,
While I, O Maiden dedicate,
Seek voice for singing thy gray Fate!

Now, as they went, one heart in two,
Brusht to the knees by flowers, by dew
Anointed, by the wind caressed,
By the light kissed on eyes and breast,
'Twas Koré talked; Hypsipyle
Listened, with eyes far-set, for she
Of speech was frugal, voicing low
And rare her heart's deep underflow—
Content to lie, like fallow sweet
For rain or sun to cherish it,
Or scattered seed substance to find
In her deep-funded, quiet mind.
And thus the Goddess: "Blest art thou,
Hypsipyle, who canst not know
Until the hour strikes what must come
To pass! But I foresee the doom
And stay to meet it. Even here
The place, and now the hour!" Then fear
Took her who spake so fearless, cold
Threaded her thronging veins—behold!
A hand on either shoulder stirs
That slim, sweet body close to hers,
And need fires need till, lip with lip,
They seal and sign their fellowship,
While Koré, godhead all forgot,
Clings whispering, "Child, leave me not
Whenas to darkness and the dead
I go!" And clear the answer sped
From warm mouth murmuring kiss and cheer,
"Never I leave thee, O my dear!"
Thereafter stand they beatingly,
Not speaking; and the hour draws nigh.

And all the land shows passing fair,
Fair the broad sea, the living air,
The misty mountain-sides, the lake
Flecked blue and purple! To forsake
These, and those bright flower-gatherers
Scattered about this land of theirs,
That stoop or run, that kneel to pick,
That cry each other to come quick
And see new treasure, unseen yet!
Remembered joy—ah, how forget!

But mark how all must come to pass
As was foreknowledged. In the grass
Whereas the Goddess and her mate
Stood, one and other, prompt for fate—
Listless the first and heavy-eyed,
Astrain the second—she espied
That strange white flower, unseen before,
With chalice pale, which thin stalk bore
And swung, as hanging by a hair,
So fine it seemed afloat in air,
Unlinkt and wafted for the feast
Of some blest mystic, without priest
Or acolyte to tender it:
Whereto the maid did stoop and fit
Her hand about its silken cup
To close it, that her mouth might sup
The honey-drop within. The bloom
Saw Koré then, and knew her doom
Foretold in it; and stood in trance
Fixéd and still. No nigromance
Used she, but read the fate it bore
In seedless womb and petals frore.
Chill blew the wind, waiting stood She,
Waiting her mate, Hypsipyle.