But Olimpia slept long where she fell, and next morning decided to garner her rage.
VI
ENDS AND MEANS
"Amor che a null' amato amar perdona."
Bellaroba, who pleased the Countess, for the same reasons, no doubt, did not please the Count. It is possible to be too demure, and very little good to have domestic charm if you shut the door upon the amateur. Lionella had never had so much of her lord's society as during the month that followed her return to Ferrara. She did not complain of this; on the contrary, the more the maid held off and the man pursued, the more Lionella was entertained. Angioletto, invited to share her sport, proved dull. She confessed to more than one of her women (including Bellaroba) that if she had not been very much in love with the poet she would have thought him a fool. You see that she made no secret of her weakness. The fact is, she did not consider it a weakness; whereby you have this remarkable position of affairs at the Schifanoia, that Bellaroba was invited to be a student of her husband's amours, and he of hers. Considering the state of their secret hearts this might have led to matter of tragic concern; if they had loved less it would have done so. As it was, they were quite indifferent. Their hours were a series of breathless escapades—romance at fever heat. Stolen meetings before dawn among the dewy rose-bushes, chance touchings, chance kisses, embraces half tasted, and looks often crossed—of such were their days at the Schifanoia. Meantime a coiled ladder watched out the sun from a myrtle thicket, of which and its works came their happy nights. Then, as she lay in his arms, the Maid of Honour vanished in the child who was so lovely because she so loved; she could prattle, in the soft Venetian brogue, of boundless faith in her little lord, of her simple admiration of him and all he did, of her wonder and delight to be loved. She could tell him of what she could do, and of how much she could never do, to please him and pay him honour. And Angioletto would nod gravely at each point that she made, and kiss her now and then very softly to show her that he was perfectly satisfied. So soon as the first swallow twittered in the eaves, or the first pale line of light trembled at the casement, he had to fly. But he waited in the rosery till she came tiptoe out; and then the day's alarms and the day's delight began. Eh! It was a royal month, a honeymoon indeed!
But it could not last—barely saw its round of eight and twenty days. Lionella was a lady born, as it were, in the purple. Command sat lightly on her; she had never been disobeyed. She now grew querulous, exacting, suspicious, moody, sometimes petulant, sometimes beseeching. It gave Angioletto the deuce's own time now and then; but he might yet have weathered the rocks—for his tact was only equalled by his good temper—if the Countess had not precipitated matters. There came a day, and an hour of a day, when she spoke to him. She had spoken before; her ambitions had always been verbal—but now they were literal, all the "t's" were crossed. That was a moment for Angioletto to take with quick breath.
He took it so. Instead of hinting at his duty, or hers, he blundered out the fact that he did not love her.
"Dog," cried the Countess, "do you dare to tell me that?"