"But, you wild boy, how can you see me when you are ruined?" she asked, all her roses in flower at the fun of the thing. "How can you be in the Schifanoia if you are thrust out of it?"
Angioletto, with a mysterious air, kissed her for answer. "Leave that to me, my dear," he said. "Never have another of the maids to sleep with you, and lock your chamber door. Now I must go, because I am kicked out. Good-bye, my bride; I shall see you long before another dawn."
She let him go at last, and turned to her duties with less sighing than you would have supposed, and no tears at all. Her belief in the wisdom, audacity, and decision of her Angioletto was absolute. She had never known him to fail. Yet if she chanced to think of the towering Count Guarini plying her with flowers and sweatmeats, she shivered to remember her citadel naked of all defences. This made her feel homesick for her lover's arms. Like a sensible girl, therefore, she thought of the Count as little as possible; still less of another sinister apparition, that of the obsequious Captain Mosca, craning his lean neck round the corners of her vision, grinning from ear to ear.
Free of the Schifanoia (whose dust he was yet careful to keep upon his shoes for the sake of her it harboured), Angioletto walked briskly down the street, shaping his course for the Borgo. He had been rounding a plan even while he was announcing to Bellaroba that he had it cut and dried; and now he was to execute it. True, it was a little extravagant, depended too much, perhaps, upon other people's estimations of him tallying with his own; but you will have found out by this time that the youth was a realist. Ideas stood for things with him; and, as he said, if he could not make them stand so to his auditory he was no poet. This was a heresy he could not allow even supposititiously. The idea was excellent; the thing, therefore, no less. Therefore he concluded that he should not fail of his plan.
Beyond the Porta Angeli, in Borso's day, was to be found a huddle of tenements—fungus-growth upon the city wall—single-storied, single-roomed affairs, mostly the lodging of artificers in the lesser crafts. Among them all there was but one of two floors, a substantial red-brick little house with a most grandiloquent chimney-stack. And very rightly it was so, for it belonged to the Court chimney-sweep.
On this eventful noon Sor Beppo, the sweep, was sitting on his doorstep in the sun, eating an onion, one of many which reposed in a vinegar bath on his knees. He was quite black, save where a three-days beard lent a gleam of snow to chaps and chin; being toothless, he was an indifferent performer upon the onion. But his hearing was as keen as his eyesight. He caught Angioletto's vivacious heeltaps upon the flags, and peered from burly brows at the smart little gentleman, cloaked, feathered, and gaudy, who looked as suitable to his dusty surroundings as a red poppy to a rubbish heap.
Angioletto, stopping before him, took off his scarlet cap with a flourish.
"Well, young stabbing blade," said Beppo, "and who may you be?"
"Sir," replied the youth, "I am a poet." Beppo rubbed his shooting chin with a noise like the scraping of nutmegs.
"Well," said he, "I'll not deny that it's a trade, and a lawful trade; but for my part I sweep noblemen's chimneys and am proud of it. Shake hands, poet."