It was a prison, at least, conducted according to the best rules of gallantry then obtaining. They bowed her up the staircase to the refectory: they sat her down and plied her on their knees with fruit and cups of wine. They led her to the throne room, where, high above them all, she was to sit, and (being crowned) hear them contend in verse and prose for the privilege of her love for the day. It was all arranged. She was to have a favourite every day, man or maid. Favour was to go by merit among her slaves. The theme was always to be her incomparable virtues—her beauty, discretion, wit (poor dumb fish!), her shining chastity, power of binding and loosing by one soft blue ray from her eyes, etc. They displayed her emblems on the walls—the peacock, because her beauty was her pride, her pride her beauty; doves, because they were Aphrodite's birds; rabbits, because the artist understood rabbits; the beaver, that glorious witness of virtue, who makes himself less certainly a beaver that he may be more safely a saint; the beaver, I say, in white on a green field. Other symbols—the lily of her candour, the rose of her glowing cheeks, the crocus of her hair, the pink anemones which were her toes, the almond for her fingers: she saw herself articulated; her fauna, her flora, her moral and physical attributes cried at her from the four walls.
Ippolita sat very scared on her throne, and endured what she could by catching firmly to the knobs of it and blinking her eyes. One by one they came creeping, these silken ladies, these slashed and curled young lords, to kiss her hand. "Dio mio!" thought she. "What is all this about? And are maids courted this way among the great?" She knew very little about it, yet was quite sure they were not. She wondered when Alessandro's business was going to begin. As a matter of fact, it had begun. He was now removing several inches of superfluous finger-nail with a sword.
For the first day that same Alessandro del Dardo won her to himself by his descant upon the theme, "How a gentleman may dismember himself without dishonour for a lady's love; and how not."
"Now he has me," thought poor Ippolita, and set her teeth. But he lay at her feet most of the day, and though at night he led her into the garden, if you will believe me, he never even kissed her hand.
"Who is mad?" thought she to herself, staring from her bed into the shadowy angles of the room. "Am I mad? Are these signori all mad? Is this a mad-house? Dio! it soon should be at this rate." She cried herself to sleep at last.
Next day it was Meleagro who won her by a careful consideration of the question, "Whether or no, when a gentleman has served a lady for ten years, and she falls sick of the small-pox, he is ipso facto absolved of his vow?" Meleagro decided that he was not, and was accepted by Ippolita, not because she admired his reasoning but because she thought it part of the game.
Next came the turn of Donna Emilia, a very burning poetess, for a Sapphic ode; and so on and so on. After three days Ippolita found herself yawning her head off; the longing for freedom returned, for the open country, the hills, the goatherds. Not for her home in the Vicolo: this everlasting love-making with its aftertaste of stale sugar had turned her sick of Padua. The whole city, to her mind, reeked of bergamot; she guessed a fawning lover at every street corner, a pryer at every window—basta, basta, la città!
No: it was to the hills she lifted up her eyes, to the hills and the swart goatherds free of their mystery. That riviera across the canal, where the budding planes made a mist of brown and rose, was a favourite haunt of theirs. There they assembled and milked their goats, thence set out homewards at night. Sitting in the pleached arbours, with two adoring ladies at her feet and a little cluster of youths behind and beside her, she used to peer long and earnestly through the branches to see them collect their flocks and start for the hills at dusk. Lithe, brown, sinewy lads they were! What long legs they had, with what bravery wore their ragged cloaks! One carried a great bulging skin under his arm—bagpipes! She was sure they made good music to each other in the green country places. Very early in the morning she heard them come in; they were known by their bells. She jumped out of her luxurious bed at the first tinkle, and was at the shutter watching for them before ever they rounded the angle of the Ponte della Morte. There they came! colour of dust, with the straggling goats following after in a cloud of it. Her impulse was to fling wide the casement, hold out both her arms, call to them with all her might, "Ha! help, in the name of the Trinity! Take me with you to the green hills. I am weary of life in this place!" Then, knowing she could not, she would hold herself back by main force, stare about her, run back, throw herself on the bed, lie there sobbing wildly, and so be found by her ladies who came to put her in that detestable bath. She was sure her skin was being rotted by so much water; she used to feel her arms and thighs secretly to see if they were palpably more flabby. It stood to reason that the water must soak in—where else could it go to! She thought that she walked like a bladder, supposing a bladder were to take itself legs. The whole affair was clean abominable; but she saw no way out.
The way came.