Lore of Proserpine

by Maurice Hewlett

To his extreme surprise, however, the constable, after exploring the beam of light and all that it contained for some time in silence, reached out his hand for the knife which Beckwith still held open. He looked at it on both sides, examined the handle and gave it back. "Foul play, Mr. Beckwith?" he said laughing. "Bless you, they use bigger tools than that. That's just a toy, the like of that. Cut your hand with it, though, already, I see." He must have noticed the handkerchief, for as he spoke the light from his lantern shone full upon the face and neck of the child, or creature, in the young man's arms, so clearly that, looking down at it, Beckwith himself could see the clear grey of its intensely watchful eyes, and the very pupils of them, diminished to specks of black. It was now, therefore, plain to him that what he held was a foreigner indeed, since the parish constable was unable to see it. Strap had smelt it, then seen it, and he, Beckwith, had seen it; but it was invisible to Gulliver. "I felt now," he says in his narrative, "that something was wrong. I did not like the idea of taking it into the house; but I intended to make one more trial before I made up my mind about that. I said good night to Gulliver, put her on my bicycle and pushed her home. But first of all I took the handkerchief from her neck and put it in my pocket. There was no blood upon it, that I could see."

His wife, as he had expected, was waiting at the gate for him. She exclaimed, as he had expected, upon the lateness of the hour. Beckwith stood for a little in the roadway before the house, explaining that Strap had bolted up the hill and had had to be looked for and fetched back. While speaking he noticed that Mrs. Beckwith was as insensible to the creature on the bicycle as Gulliver the constable had been. Indeed, she went much further to prove herself so than he, for she actually put her hand upon the handle-bar of the machine, and in order to do that drove it right through the centre of the girl crouching there. Beckwith saw that done. "I declare solemnly upon my honour," he writes, "that it was as if Mary had drilled a hole clean through the middle of her back. Through gown and skin and bone and all her arm went; and how it went I don't know. To me it seemed that her hand was on the handle-bar, while her upper arm, to the elbow, was in between the girl's shoulders. There was a gap from the elbow downwards where Mary's arm was inside the body; then from the creature's diaphragm her lower arm, wrist and hand came out. And all the time we were speaking the girl's eyes were on my face. I was now quite determined that I wouldn't have her in the house for a mint of money."

He put her, finally, in the dog-kennel. Strap, as a favourite, lived in the house; but he kept a greyhound in the garden, in a kennel surrounded by a sort of run made of iron poles and galvanised wire. It was roofed in with wire also, for the convenience of stretching a tarpaulin in wet weather. Here it was that he bestowed the strange being rescued from the down.

It was clever, I think, of Beckwith to infer that what Strap had shown respect for would be respected by the greyhound, and certainly bold of him to act upon his inference. However, events proved that he had been perfectly right. Bran, the greyhound, was interested, highly interested in his guest. The moment he saw his master he saw what he was carrying. "Quiet, Bran, quiet there," was a very unnecessary adjuration. Bran stretched up his head and sniffed, but went no further; and when Beckwith had placed his burden on the straw inside the kennel, Bran lay down, as if on guard, outside the opening and put his muzzle on his forepaws. Again Beckwith noticed that curious appearance of the eyes which the fox-terrier's had made already. Bran's eyes were turned upward to show the narrow arcs of white.

Before he went to bed, he tells us, but not before Mrs. Beckwith had gone there, he took out a bowl of bread and milk to his patient. Bran he found to be still stretched out before the entry; the girl was nestled down in the straw, as if asleep or prepared to be so, with her face upon her hand. Upon an after-thought he went back for a clean pocket handkerchief, warm water and a sponge. With these, by the light of a candle, he washed the wound, dipped the rag in hazeline, and applied it. This done, he touched the creature's head, nodded a good night and retired. "She smiled at me very prettily," he says. "That was the first time she did it."

There was no blood on the handkerchief which he had removed.

Early in the morning following upon the adventure Beckwith was out and about. He wished to verify the overnight experiences in the light of refreshed intelligence. On approaching the kennel he saw at once that it had been no dream. There, in fact, was the creature of his discovery playing with Bran the greyhound, circling sedately about him, weaving her arms, pointing her toes, arching her graceful neck, stooping to him, as if inviting him to sport, darting away—"like a fairy," says Beckwith, "at her magic, dancing in a ring." Bran, he observed, made no effort to catch her, but crouched rather than sat, as if ready to spring. He followed her about with his eyes as far as he could; but when the course of her dance took her immediately behind him he did not turn his head, but kept his eye fixed as far backward as he could, against the moment when she should come again into the scope of his vision. "It seemed as important to him as it had the day before to Strap to keep her always in his eye. It seemed—and always seemed so long as I could study them together—intensely important." Bran's mouth was stretched to "a sort of grin"; occasionally he panted. When Beckwith entered the kennel and touched the dog (which took little notice of him) he found him trembling with excitement. His heart was beating at a great rate. He also drank quantities of water.

Beckwith, whose narrative, hitherto summarised, I may now quote, tells us that the creature was indescribably graceful and light-footed. "You couldn't hear the fall of her foot: you never could. Her dancing and circling about the cage seemed to be the most important business of her life; she was always at it, especially in bright weather. I shouldn't have called it restlessness so much as busyness. It really seemed to mean more to her than exercise or irritation at confinement. It was evident also that she was happy when so engaged. She used to sing. She sang also when she was sitting still with Bran; but not with such exhilaration.

"Her eyes were bright—when she was dancing about—with mischief and devilry. I cannot avoid that word, though it does not describe what I really mean. She looked wild and outlandish and full of fun, as if she knew that she was teasing the dog, and yet couldn't help herself. When you say of a child that he looks wicked, you don't mean it literally; it is rather a compliment than not. So it was with her and her wickedness. She did look wicked, there's no mistake—able and willing to do wickedly; but I am sure she never meant to hurt Bran. They were always firm friends, though the dog knew very well who was master.

"When you looked at her you did not think of her height. She was so complete; as well made as a statuette. I could have spanned her waist with my two thumbs and middle fingers, and her neck (very nearly) with one hand. She was pale and inclined to be dusky in complexion, but not so dark as a gipsy; she had grey eyes, and dark-brown hair, which she could sit upon if she chose. Her gown you could have sworn was made of cobweb; I don't know how else to describe it. As I had suspected, she wore nothing else, for while I was there that first morning, so soon as the sun came up over the hill she slipped it off her and stood up dressed in nothing at all. She was a regular little Venus—that's all I can say. I never could get accustomed to that weakness of hers for slipping off her frock, though no doubt it was very absurd. She had no sort of shame in it, so why on earth should I?