"I really don't know what I did before. I went out to the Chersonese from Naples. I remember that well. I had been knocking about Vesuvius for a bit, keeping very bad company, which, nevertheless, behaved very well to me. But finally there was a row with knives, which rather sickened me of the Vesuvians; so I shipped for Constantinople and fell in with a very nice old chap on board. He took me on at his contraband job. I didn't get very much money, but I got some, and saw a deal of life. When it was over I went to Greece. I like the Greeks. They are a fine people."
"What did you do in Greece?" she insisted, not interested in the fineness of the people.
"Blasting, first," he said. "They were making the railway from Larissa through Tempe. That was a dangerous job, because the rock breaks so queerly. You never know when it has finished. I had seen a good deal of it in South America, so I butted in, and was taken on. Then I did some mining at Lavrion, and captained a steamer that carried mails among the islands. That was the best time I had. You see, I like responsibility, and I got it. Everything else was tame—out there, I mean....
"I got into Government service at Corfù and stopped there six years or more ... I was all sorts of things—lighthouse-keeper, inspector of marine works, harbour-master ... And then my wicked old father (I must tell you about him some day. You could write a book about him) up and died—in his bed of all places in the world, and left me a good deal of money. That was the ruin of me. I really might have done something if it hadn't been for that. Strange thing! He turned me out of the house in a rage one day, and had neither seen me nor written me a letter from my seventeenth to my thirtieth birthday, when he died—or thereabouts. But at the last, when he was on his bed of death, he rolled himself over and said to the priest, 'There's Jimmy out at his devilry among the haythen Turks,' he says. 'Begob, that was a fine boy, and I'll leave him a plum.' And so he did. I wish he hadn't. I was making my hundred and fifty in Corfù and was the richest man in the place. And I liked the life."
"That was where you had so many wives," she reminded him.
"So it was. Well, perhaps I needn't assure you that the number has been exaggerated. I've very nearly had some wives, but there was always something at the last minute. There was a girl at Valletta, I remember—a splendid girl with the figure of a young Venus, and a tragic face and great eyes that seemed to drown you in dark. Lady Macbeth as a child might have been like that—or Antigone with the doom on her, or perhaps Elektra. No, I expect Elektra took after her mother: red-haired girl, I fancy. But there you are. She was a lovely, solemn, deep-eyed, hag-ridden goose. Not a word to say—thought mostly of pudding. I found that out by supposing that she thought of me. Then I was piqued, and we parted. I suppose she's vast now, and glued to an upper window-ledge with her great eyes peering through a slat in the shutter. Living in a bed-gown. Imagine a wife who lives in a bed-gown!"
They were lunching at Colchester when these amorous chapters were reached. Lucy was quite at her ease with her companion. "A wife who was always at the dressmaker's would suit you no better. But I don't know that mixed marriages often answer. After all, so dreadfully much can never be opened between you."
"That's quite true," he said, "and by no means only of mixed marriages. How much can your average husband and wife open between them? Practically nothing, since they choose to live by speech."
"But what else have we?"
"I would choose to live by touch," he said. "If two people can't communicate fully and sufficiently by the feelers they are not in the same sphere and have no common language. But speech is absurd. Why, every phrase, and nearly every word, has a conventional value."