He was nothing of a mystic, and therefore had his own ideas of what seemed to afford his master so much satisfaction; he was enough of a poet to be sure that Senhouse's romantic raptures were only a makeshift at best. To his mind here was a man aching for a woman. He thought that the poet sang to ease his bleeding heart. He came to picture the mating of these two—Sanchia the salient, beautiful woman, and his master of the clear, long-enduring, searching eyes, and that strange look of second-sight upon him which those only have who live apart from men, under the sky. It is a look you can never mistake. Sailors have it, and shepherds, and dwellers in the desert. The eye sees through you—into you, and beyond you. It is almost impossible for any person to be either so arresting in himself or possessed of such utterance as will cause the weathered eye to check its scanning of distance and concentrate upon an immediate presence. To such an eye, communing with infinite and eternal things, no creature of time and space can interpose solidly. Each must be vain and clear as bubbles of air. Behind it float spirits invisible to other men—essential forms, of whose company the seer into distance really is. He will neither heed you nor hear you; his conversation is other-where. And what then would Senhouse do confronted with Sanchia? Would he look beyond her, towards some horizon where she could never stand? Or would he not see in her blue eyes the goal of all his searching—the content of his own? What would he say but “You!” and take her? What she but sigh her content to be taken? Appeasement is holiness, says Senhouse. And what of their holy life thereafter, breast to breast, fronting the dawn? Glyde's heart, purged of his dishonesty, beat at the thought. He turned all his erotic over to the more generous emotion, and faced with glowing blood the picture of the woman he had coveted in the arms of the master he avowed.
When February began to show a hint of spring, in pairing plovers and breaking eglantine, Senhouse, in a temporary dejection, ceased work upon his poem, and Glyde said that he must know the news. All through the winter they had had little communication with the world beyond their gates. A shepherd homing from the folds, a sodden tinker and his drab, whom he touchingly cherished, a party of rabbit-shooters beating the furze bushes, had been all their hold upon a life where men meet and hoodwink each other. Once in a week one of them ploughed through the drifts to the cottage at the foot of the third valley, and got as he needed flour and candles, soap or matches. It had not yet occurred to either of them—to Senhouse it never did occur—to beg the sight of a newspaper. But Saint Valentine's call stirred the deeps of Glyde, who now said that he must have news. He departed for Sarum, and stayed away until March was in.
He returned with certain information, absorbed by Senhouse with far-sighted patient eyes and in silence. The only indication he afforded was inscrutable. His cheek-bones twitched flickeringly, like summer lightning about the hills.
Sanchia, Glyde said, was well and in London. She was living in a street off Berkeley Square, with an old lady who wore side-curls and shawls, and drove out every afternoon in a barouche with two stout horses and two lean men-servants. Sanchia sometimes accompanied her, stiff and pliant at once, bright-eyed and faintly coloured. She was taken about to parties also, and to the opera—and very often there were parties at the old lady's house—carriage-company, and gentleman in furred coats, who came in hansom cabs. He thought that she had suitors. There was a tall, thin man who came very often in the afternoons. He was sallow and melancholy, and wore a silk muffler day and night. Glyde thought that he was a foreigner, perhaps a Hungarian or Pole.
He had seen Sanchia often, but she could not have caught a glimpse of him. He admitted that he had haunted the house, had seen her come out and go in, knew when she dressed for dinner and when she went to bed. Long practice had acquainted him with the significance of light and darkness seen through chinks in shutters. “I know her room,” he said, “and the times of her lights. She looks out over the streets towards the Park twice every night—once when she is dressed, and once before she goes to bed. It is as if she is saying her prayers. She looks long to the west, very seriously. I think her lips move. I believe that she always does it.” Senhouse, who may have been listening, bowed his head to his knees, below his clasped hands.
“Twice she looked full at me without knowing me. Why should she know me now? Her pale and serious face, master, was as beautiful as the winter moon, as remote from us and our little affairs. No words of mine can express to you the outward splendour of her neck and bosom. She was uncovered for a party at the house. In the morning she came out to walk. You know her way, how she glides rather than seems to move her feet—the soaring, even motion of a sea-bird. She walked across the Park, and I followed, praising God, whose image she is. On the further side the Pole met her in his furs, and she walked with him for an hour in the sun. She had no wrappage to hide her blissful shape. Close-fitted, erect, free-moving, gracious as a young birch-tree. Master, she is the Holy One.”
“You played Peeping Tom, my ingenuous young friend,” said Senhouse, who was fastidious in such matters.
But Clyde cried out, “God forbid! Are you prying when you look at the sun! Master, you need not grudge the Pole. He is nothing.”
“I grudge no man anything he can get of her,” said Senhouse. “He will get precisely what lies within his scope.”
“He has the eyes of a rat,” Glyde said.