The dream stopped, and he forgot it.
CHAPTER XV
THREE AT TORTSENTIER
At Tortsentier there was very little daylight, because the trees about it formed a thick wall. The branches of the pines tapped at the windows on one side; on the other they linked arms with their comrades, and so stood for a mile on all sides of the tower. Paths there were none, nor ways to come by unless you were free of the place. The winter storms moaned, lashed themselves above it, yet below were hushed down to a long sighing. The quiet visitations of the snow, the dripping of the autumn rains, the sun's force, the trap-bite of the frost, or that new breath that comes stealing through woodlands in spring, were all strangers alike to the carpet of brown needles about Maulfry's hold. No birds ever sang there. Death and a great mystery, the dark, air like a lake's at noon, kept fur and feather from Tortsentier, and left Maulfry alone with what she had.
Within, it was a spacious place. A great hall ran the whole height (although not the whole area) of it, having a gallery midway up whence you gained what other chambers there were. Below the gallery were deep alcoves hung with tapestry (of which Maulfry was a diligent worker), and thickened with curtains; between every alcove hung trophies of shields and arms. Mossy carpets, skins, and piled cushions were on the floor; the place smelt of musk: it was lighted by coloured torches and lamps, and warmed with braziers. It was by a spiral stair that you found the gallery and doors of the other rooms, or as many of them as it was fitting you should find. There were doors there which were no doors at all unless occasion served. These rooms had windows; but the hall had only a lantern in the roof, and its torches. From all this it will appear that Isoult was a prisoner, since a prisoner you are if, although you can go out, there is nowhere for you to go; if, further, your hostess neither goes out herself nor gives you occasion to leave her. Yet Maulfry made her guest elaborately free of the place.
"Child," she said, "you see how I live here. My trees, my birds—" she had many birds in cages—"my collections of arms and arras and odd books, are my friends for want of better. If you can help me to any such I shall be very much obliged to you. Other friends I have—yourself I may count among them, one other you know,—but they are of the world, and refuse to hang upon my walls. Sometimes they pay me a visit, stay for a little season, remonstrate, argue with me, shrug, and leave me gladder than I was to receive them. I am a hermit, my child, when all's said. These other friends, these more constant friends, on the other hand, suit me better. They talk to me when I bid them, are silent when I want to think. They have no vapours, unless I give them of mine, no airs but what I choose to find in them. And they are complaisant, they seek nothing beyond my entertainment. My friends from outside come to please themselves and to take what they can of my store. Sometimes they take each other. One of them (not unknown to my Isoult!) will come before long—he is overdue now—and find my store enriched. I doubt he will turn thief. You may well blush, child, for, apart that it becomes you admirably, thieving is a sin, and naturally you cannot approve of it. It is to be hoped he has rifled no treasury already. There, there, I have your word for it; but you know my way! Living alone in the woods at a distance from men, which makes them ants in a swarm for me, I become a philosopher. Can you wonder?"
To such harangues, delivered with a pretty air of mockery and extravagance, which was never allowed to get out of hand, Isoult listened as she had listened to the cheerful prophetics of the Abbess of Gracedieu, with her gentle smile and her locked lips. Maulfry talked by the hour together while she and Isoult sat weaving a tapestry. For the philosopher which it seemed she was, the subject of the piece was very pleasant. It was the story of Troilus and Cresseide, no less, wherein Sir Pandarus, (departing from the custom) was represented a young man of tall and handsome presence, and the triangle of lovers like children. Diomede was an apple-cheeked school-boy, Troilus had a tunic and bare legs, Cresseide in her spare moments dandled a doll. Calchas, for his part, kept a dame-school in this piece, which for the rest was treated with a singular freedom. Isoult, poor girl, was occasionally troubled at her part of the work; but the philosopher laughed heartily at her.
"What ails thee with the piece, child?" she would cry out in her hearty way. "Dost thou think lovers are men and women, to be taken seriously? It is to be hoped they are not, forsooth! For if they are not innocent, what shall be said of their antics?" and more to the same tune.
While affecting to treat her with freedom, Maulfry kept in reality a steady rein.
"Go out?" she would cry in mock dismay, at the least hint of such a wish from the girl—"why under the sun should we go out? To see a thicket of twigs and breathe rotten vapours? Or do you think we have processions passing in and out of the tree-trunks? Ah, minx, 'tis a procession of one you would be spying for! Nay, nay, never look big eyes at me, child. I know your processioner better than you. He will come in his time; and whether he come through the door or down the stairs I cannot tell you yet. Who taught you, pray, that he was in the wood? Not I, I vow. Why should he not be skulking in the blue alcove awaiting the hour? You look thither; how you kindle at a word! Well, well, go and see for yourself if he is in the blue alcove."