“What about your promise?” she asked, playfully, but a little sadly. “You promised to make yourself pleasant to your enemies in the salon; and this is the best you can do! Am I not entitled to complain? Did we not shake hands as friends?”
He uncrossed his arms and his expression changed. Once again she felt the relaxation of a tense will, the immediate suppression of all resistance in this silent man whose square chin and inflexible eyes bore witness to his obstinacy.
“Good!” she said. “Capital! But you still look a little fierce.... That’s better!... And now, come along.”
He stopped her:
“Do not ask too much of me. You are so far above ordinary life, so inaccessible, that you can mix with those people and remain serene and untouched. I could only do so at the risk of deteriorating. One must make allowance for different temperaments. I shall be polite, that’s all.”
Then she stayed and they talked.
Often, after that, Gilberte had to go to him and open, as she said, the door of his prison-house, unbind his hands and deliver his captive soul. But she did it so easily that it amused them both.
“You have but to lift your little finger,” Guillaume would say, “to bring down the prison-walls.”
Under this uneven and rugged husk, Gilberte discovered the most exquisite and delicate of natures, a poet’s nature that was galled by all its surroundings, a child’s nature that his mother had kept in to the verge of pain. And it was often from the point of view of a child that Gilberte was glad to be with him. They would laugh at the least thing, with that childish laughter, which is so good just because it has no excuse except our need of laughter. They longed to run and skip and play.