They looked at each other for a while with a great gentleness, like two old travelling-companions, who, from time to time, for no particular reason, stop, exchange glances or thoughts and then resume their journey.
He asked:
"Must I cut my roses? My Gloires de Dijon?"
"Yes."
"Come along then! I'll be a hero!"
***
Morestal, the son and grandson of well-to-do farmers, had increased his fathers' fortune tenfold by setting up a mechanical saw-yard at Saint-Élophe, the big neighbouring village. He was a plain, blunt man, as he himself used to say, "with no false bottom, nothing in my hands, nothing up my sleeves;" just a few moral ideas to guide his course through life, ideas as old and simple as could be. And those few ideas themselves were subject to a principle that governed his whole existence and ruled all his actions, the love of his country, which, in Morestal, stood for regret for the past, hatred of the present and, especially, the bitter recollection of defeat.
Elected Mayor of Saint-Élophe and a district-councillor, he sold his works and built, within view of the frontier, on the site of a ruined mill, a large house designed after his own plans and constructed, so to speak, under his own eyes. The Morestals had lived here for the last ten years, with their two servants: Victor, a decent, stout, jolly-faced man, and Catherine, a Breton woman who had nursed Philippe as a baby.