"Break his head," Conrad repeated. "That's what I say: and I stick to it."

"And you, Otto?"

"I think we ought to be on our guard."

"Of course we must be on our guard."

But the old Druid caught the word. Leaning on a staff, he helped himself up and exclaimed:

"What's the meaning of this? Be on your guard . . . against me! That's really a bit thick! Treat me as a fake! Why, haven't you seen my axe, with the pattern of the swastika? The swastika, the leading cabalistic symbol, eh, what? . . . And this? What do you call this?" He lifted his string of beads. "What do you call it? Horse-chestnuts? You've got some cheek, you have, to give a name like that to serpents' eggs, 'eggs which they form out of slaver and the froth of their bodies mingled and which they cast into the air, hissing the while.' It's Pliny's own words I'm quoting! You're not going to treat Pliny also as a fake, I hope! . . . You're a pretty customer! Putting yourself on your guard against me, when I have all my degrees as an ancient Druid, all my diplomas, all my patents, all my certificates signed by Pliny and Chateaubriand! The cheek of you! . . . Upon my word, you won't find many ancient Druids of my sort, genuine, of the period, with the bloom of age upon them and a beard of centuries! I a fake, I, who boast every tradition and who juggle with the customs of antiquity! . . . Shall I dance the ancient Druid dance for you, as I did before Julius Caesar? Would you like me to?"

And, without waiting for a reply, the old man, flinging aside his staff, began to cut the most extravagant capers and to execute the wildest of jigs with perfectly astounding agility. And it was the most laughable sight to see him jumping and twisting about, with his back bent, his arms outstretched, his legs shooting to right and left from under his robe, his beard following the evolutions of his frisking body, while the bleating voice announced the successive changes in the performance:

"The ancient Druids' dance, or Caesar's delight! Hi-tiddly, hi-tiddly, hi-ti, hi! . . . The mistletoe dance, vulgarly known as the tickletoe! . . . The serpents' egg waltz, music by Pliny! Hullo there! Begone, dull care! . . . The Vorska, or the tango of the thirty coffins! . . . The hymn of the Red Prophet! Hallelujah! Hallelujah! Glory be to the prophet!"

He continued his furious jig a little longer and then suddenly halted before Vorski and, in a solemn tone, said:

"Enough of this prattle! Let us talk seriously, I am commissioned to hand you the God-Stone. Now that you are here, are you ready to take delivery of the goods?"