"We must talk about this. We'll go to your rooms."
They went back to the bend in the passage. Near the pantry where the filter was, another passage ran, ending in a flight of three steps, with a door at the top of the steps. Perenna opened this door. It was the entrance to the rooms occupied by Mlle. Levasseur. They went into a sitting-room.
Don Luis closed the entrance door and the door of the sitting-room.
"And now," he said, in a resolute tone, "you and I will have an explanation."
CHAPTER SEVEN
SHAKESPEARE'S WORKS, VOLUME VIII
Two lodges, belonging to the same old-time period as the house itself, stood at the extreme right and left of the low wall that separated the front courtyard from the Place du Palais-Bourbon. These lodges were joined to the main building, situated at the back of the courtyard, by a series of outhouses. On one side were the coach-houses, stables, harness-rooms, and garage, with the porter's lodge at the end; on the other side, the wash-houses, kitchens, and offices, ending in the lodge occupied by Mlle. Levasseur.
This lodge had only a ground floor, consisting of a dark entrance hall and one large room, most of which served as a sitting-room, while the rest, arranged as a bedroom, was really only a sort of alcove. A curtain hid the bed and wash-hand-stand. There were two windows looking out on the Place du Palais-Bourbon.
It was the first time that Don Luis had set foot in Mlle. Levasseur's room. Engrossed though he was with other matters, he felt its charm. It was very simply furnished: some old mahogany chairs and armchairs, a plain, Empire writing-table, a round table with one heavy, massive leg, and some book-shelves. But the bright colour of the linen curtains enlivened the room. On the walls hung reproductions of famous pictures, drawings of sunny buildings and landscapes, Italian villas, Sicilian temples….
The girl remained standing. She had resumed her composure, and her face had taken on the enigmatical expression so difficult to fathom, especially as she had assumed a deliberate air of dejection, which Perenna guessed was intended to hide her excitement and alertness, together with the tumultuous feelings which even she had great difficulty in controlling.