I do not believe that the world contains anything more beautiful than those gardens and valleys of the Provençal coast during the six or seven weeks when departing spring still mingles its verdure with the first warmth of advancing summer. But what gives this wonderful exultation of nature a melancholy which we do not find in any other spot is the inhuman and almost painful solitude in which it is revealed. Here, amid this desert, this silence, this emptiness, from the vine-arbours to the terraces and from the terraces to the porches of a thousand abandoned villas, reigns a rivalry of beauty which reaches a poignant agony of intensity, exhausting every energy, form and colour. There is here a sort of magic password, as though all the powers of grace and splendour that nature holds concealed had united to give at the same moment, to a spectator unknown to men, one great, decisive proof of the blessings and the glories of the earth. There is here a sort of unparalleled expectation, awful and unendurable, which over the hedges, the gates and the walls watches for the coming of a mighty god; an ecstatic silence which demands a supernatural presence; a wild, exasperated impatience pouring from every side over the roads where nothing now passes save the mute and diaphanous procession of the hours.
4
Alas, how many beauties are wasted in this world! Here is enough to feed our eyes till death! Here is the wherewithal to gather memories which would support our souls even to the tomb! Here is that which would provide thousands of hearts with the supreme sustenance of life!
In the main, when we come to think of it, all that is best in us, all that is pure, happy and limpid in our intelligence and our feelings, has its origin in a few beautiful spectacles. If we had never seen beautiful things, we should possess only poor and ugly images wherewith to clothe our ideas and emotions, which would perish of cold and wretchedness like those of the blind. The great highway which climbs from the plains of existence to the radiant heights of human consciousness would be so gloomy, so bare and so deserted that our thoughts would very soon lack the strength and courage to tread it; and where our thoughts no longer pass it is not long before the briars and the cruel horrors of the forest return. A beautiful spectacle which we might have seen, which was ours, which seemed to call us and from which we fled can never be replaced. Nothing more can grow in the spot where it awaited us. It leaves in our soul a great barren area, in which we shall find naught but thorns on the day when we most need roses. Our thoughts and our actions derive their energy and their shape from the things which our eyes have beheld. Between the heroic deed, the duty accomplished, the sacrifice generously accepted and the beautiful landscape which we have seen in the past there is very often a closer and more vital connection than that which our memory has retained. The more we see of beautiful things the better fitted we become to perform good actions. If our inner life is to thrive, we need a magnificent store of wonderful spoils.
THE INSECT WORLD
VIII
THE INSECT WORLD
1
HENRI FABRE, as all the world now knows, is the author of half a score of well-filled volumes in which, under the title of Souvenirs entomologiques,[1] he set down the results of fifty years of observation, study and experiment on the insects that seem to us the best-known and the most familiar: different species of wasps and wild bees, a few gnats, flies, beetles and caterpillars; in a word, all those vague, unconscious, rudimentary and almost nameless little lives which surround us on every side and which we contemplate with eyes that are amused, but already thinking of other things, when we open our window to welcome the first hours of spring, or when we go into the gardens or the fields to bask in the blue summer days.
2
We take up at random one of these great volumes and naturally expect to find first of all the very learned and rather dry lists of names, the very fastidious and exceedingly quaint specifications of those huge, dusty graveyards of which all the entomological treatises that we have read so far seem almost wholly to consist. We therefore open the book without zest and without unreasonable expectations; and forthwith, from between the open leaves, there rises and unfolds itself, without hesitation, without interruption and almost without remission to the end of the four thousand pages, the most extraordinary of tragic fairy plays that it is possible for the human imagination, not to create or to conceive, but to admit and to acclimatize within itself.