African Marigold; the ancient Lychnis, or Maltese Cross; the Mournful Widow, or Purple Scabious; the Foxglove, or Digitalis, who shoots up like a melancholy rocket; the European Aquilegia, or Columbine; the Viscaria, who, on a long, slim neck, lifts a small ingenuous, quite round face to admire the sky; the lurking Lunaria, who secretly manufactures the “Pope’s money,” those pale, flat crown-pieces with which, no doubt, the elves and fairies by moonlight carry on their trade in spells; lastly, the Pheasant’s-Eye, the red Valerian, or Jupiter’s-Beard, the Sweet William and the old Carnation, that was cultivated long ago by the Grand Condé in his exile.
Besides these, above, all around, on the walls, in the hedges, among the arbours, along the branches, like a people of sportive monkeys and birds, the climbing plants make merry, perform feats of gymnastics, play at swinging, at losing and recovering their balance, at falling, at flying, at looking up at space, at reaching beyond the treetops to kiss the sky. Here we have the Spanish Bean and the Sweet Pea, quite proud at being no longer included among the vegetables; the modest Volubilis; the Honeysuckle, whose scent represents the soul of the dew; the Clematis and the Glycine; while, at the windows, between the white curtains, along the stretched string, the Campanula, surnamed Pyramidalis, works such miracles, throws out sheaves and twists garlands formed of a thousand uniform flowers so prodigiously immaculate and transparent that they who see it for the first time, refusing to believe their eyes, want to touch with their finger the bluey marvel, cool as a fountain, pure as a source, unreal as a dream.
Meanwhile, in a blaze of light, the great white Lily, the old lord of the gardens, the only authentic prince among all the commonalty issuing from the kitchen-garden, the ditches, the copses, the pools and the moors, among the strangers come from none knows where, with his invariable six-petalled chalice of silver, whose nobility dates back to that of the gods themselves—the immemorial Lily raises his ancient sceptre, august, inviolate, which creates around it a zone of chastity, silence and light.
V
I HAVE seen them, those whom I have named and as many whom I have forgotten, all thus collected in the garden of an old sage, the same that taught me to love the bees. They displayed themselves in beds and clusters, in symmetrical borders, ellipses, oblongs, quincunxes and lozenges, surrounded by box hedges, red bricks, earthenware tiles or brass chains, like precious matters contained in ordered receptacles similar to those which we find in the discoloured engravings that illustrate the works of the old Dutch poet, Jacob Cats. And the flowers were drawn up in rows, some according to their kinds, others according to their shapes and shades, while others, lastly, mingled, according to the happy chances of the wind and the sun, the most hostile and murderous colours, in order to show that nature acknowledges no dissonance and that all that lives creates its own harmony.
From its twelve rounded windows, with their shining panes, their muslin curtains, their broad green shutters, the long, painted house, pink and gleaming as a shell, watched them wake at dawn and throw off the brisk diamonds of the dew and then close at night under the blue darkness that falls from the stars. One felt that it took an intelligent pleasure in this gentle, daily fairy-scene, itself solidly planted between two clear ditches that lost themselves in the distance of the immense pasturage dotted with motionless cows, while, by the roadside, a proud mill, bending forward like a preacher, made familiar signs with its paternal sails to the passers-by from the village.
VI
HAS this earth of ours a fairer ornament of its hours of leisure than the care of flowers? It was beautiful to see thus collected for the pleasure of the eyes, around the house of my placid friend, the splendid throng that tills the light to win from it marvellous colours, honey and perfumes. He found there translated into visible joys, fixed at the gates of his house, the scattered, fleeting and almost intangible delights of summer,—the voluptuous air, the clement nights, the emotional sunbeams, the glad hours, the confiding dawn, the whispering and mysterious azured space. He enjoyed not only their dazzling presence; he also hoped—probably unwisely, so deep and confused is that mystery—he also hoped, by dint of questioning them, to surprise, with their aid, I know not what secret law or idea of nature, I know not what private thought of the universe, which perhaps betrays itself in those ardent moments in which it strives to please other beings, to beguile other lives and to create beauty.
VII
OLD flowers, I said. I was wrong; for they are not so old. When we study their history and investigate their pedigrees, we learn with surprise that most of them, down to the simplest and commonest, are new beings, freedmen, exiles, newcomers, visitors, foreigners. Any botanical treatise will reveal their origins. The Tulip, for instance (remember La Bruyère’s “Solitary,” “Oriental,” “Agate,” and “Cloth of Gold”), came from Constantinople in the sixteenth century. The Ranuncula, the Lunaria, the Maltese Cross, the Balsam, the Fuchsia, the African Marigold, or Tagetes Erecta, the Rose Campion, or Lychnis Coronaria, the two-coloured Aconite, the Amaranthus Caudatus, or Love-lies-bleeding, the Hollyhock and the Campanula Pyramidalis arrived at about the same time from the Indies, Mexico, Persia, Syria and Italy. The Pansy appears in 1613; the Yellow Alyssum in 1710; the Perennial Flax in 1775; the Scarlet Flax in 1819; the Purple Scabious in 1629; the Saxifraga Sarmentosa in 1771; the Long-leaved Veronica in 1713. The Perennial Phlox is a little older. The Indian Pink made its entrance into our gardens about 1713. The Garden Pink is of modern date. The Portulaca did not make her appearance till 1828; the Scarlet Sage till 1822. The Ageratum, or Cœlestinum, now so plentiful and so popular, is not two centuries old. The Helichrysum, or Everlasting, is even younger. The Zinnia is exactly a centenarian. The Spanish Bean, a native of South America, and the Sweet Pea, an immigrant from Sicily, number a little over two hundred years. The Anthemis, whom we find in the least-known villages, has been cultivated only since 1699. The charming blue Lobelia of our borders came to us from the Cape of Good Hope at the time of the French Revolution. The China Aster, or Reine Marguerite, is dated 1731. The Annual or Drummond’s Phlox, now so common, was sent over from Texas in 1835. The large-flowered Lavatera, who looks so confirmed a native, so simple a rustic, has blossomed in our gardens only since two centuries and a half; and the Petunia since some twenty lustres. The Mignonette, the Heliotrope—who would believe it?—are not two hundred years old. The Dahlia was born in 1802; and the Gladiolus is of yesterday.