DEATH AND THE CROWN
DEATH AND THE CROWN
I
The months of June and July of the year 1902 set for the meditation of men one of those tragic spectacles which, to speak truly, we encounter every day in the little life that surrounds us, although, like so many great things, they there pass unperceived. They do not assume their full significance, nor finally capture our gaze, except when performed on one of those enormous stages on which are heaped, so to speak, all the thoughts of a people and on which the latter loves to behold its own existence made greater and more solemn by royal actors.
As is said in a modern play, "We must add something to ordinary life before we can understand it." Fate added, in this case, the power and the pomp of one of the most glorious thrones on earth. Thanks to the resplendency of that pomp and that power, we saw exactly what a man is in himself and what he remains when the imposing laws of nature strip him cruelly naked before their tribunal. We learnt also—the force of love, pity, religion and science having been suddenly exerted to the utmost—we learnt also to know better the value of the aid which all that we have acquired since we inhabited this planet can give in our distress. We assisted at a struggle, ever confused, but as fierce as though it were doomed to be supreme, between the different powers, physical and moral, visible and invisible, that to-day guide mankind.
II
Edward VII. King of England, the illustrious victim of a whim of fate, lay pitifully hovering between the crown and death. This fate, with one hand, held to his brow one of the most magnificent diadems that the revolutions have spared; and, with the other, it forced that same brow, moist with the sweat of the death-agony, to bend down towards a wide-open tomb. In sinister fashion, it prolonged this game for more than two months.
If we contemplate the event from a point a little higher than the elevation of the humble hills on which life's numberless anecdotes unfold themselves, it is here not only a question of the tragedy of an opulent monarch stricken by nature at the very moment when thousands of men are aspiring to place some small portion of their hopes and of their fairest dreams in his person, beyond the reach of destiny and above humanity. Neither is it a question of appreciating the irony of that moment in which they would assert and establish something supernatural that declined upon something most normally natural; something that should be contradictory to the pitiless levelling laws of the indifferent planet which we all inhabit with a sort of heedless tolerance; something that should reassure them and console them as an admirable exception to their misery and frailty. No, it is here a question of the essential tragedy of man, of the universal and perpetual drama enacted between his feeble will and the enormous unknown force that encompasses him, between the little flame of his mind or soul, that inexplicable phenomenon of nature, and vast matter, that other, equally inexplicable, phenomenon of the same nature. This drama, with its thousand undetermined catastrophes, has not ceased to unfold itself for a single day since a portion of blind and colossal life conceived the somewhat strange idea of taking in us a sort of consciousness of itself. This time, a more resplendent accident than the others came to display the drama on a loftier height, which was illumined for an instant by all the longings, all the wishes, all the fears, all the uncertainties, all the prayers, all the doubts, all the illusions, all the wills, all the looks, lastly, of the inhabitants of our globe hastening in thought to the foot of the solemn mountain.