Beverley drew the stool near Alice, who, with a charred stick, used as a poker, was thrusting at the glowing crevices and sending showers of sparks aloft.
"Why, there wouldn't be much to tell," he said, glad to feel secure again. "Our home is a big old mansion named Beverley Hall on a hill among trees, and half surrounded with slave cabins. It overlooks the plantation in the valley where a little river goes wandering on its way." He was speaking French and she followed him easily now, her eyes beginning to fling out again their natural sunny beams of interest. "I was born there twenty-six years ago and haven't done much of anything since. You see before you, Mademoiselle, a very undistinguished young man, who has signally failed to accomplish the dream of his boyhood, which was to be a great artist like Raphael or Angelo. Instead of being famous I am but a poor Lieutenant in the forces of Virginia."
"You have a mother, father, brothers and sisters?" she interrogated. She did not understand his allusion to the great artists of whom she knew nothing. She had never before heard of them. She leaned the poker against the chimney jamb and turned her face toward him.
"Mother, father, and one sister," he said, "no brothers. We were a happy little group. But my sister married and lives in Baltimore. I am here. Father and mother are alone in the old house. Sometimes I am terribly homesick." He was silent a moment, then added: "But you are selfish, you make me do all the telling. Now I want you to give me a little of your story, Mademoiselle, beginning as I did, at the first."
"But I can't," she replied with childlike frankness, "for I don't know where I was born, nor my parents' names, nor who I am. You see how different it is with me. I am called Alice Roussillon, but I suppose that my name is Alice Tarleton; it is not certain, however. There is very little to help out the theory. Here is all the proof there is. I don't know that it is worth anything."
She took off her locket and handed it to him.
He handled it rather indifferently, for he was just then studying the fine lines of her face. But in a moment he was interested.
"Tarleton, Tarleton," he repeated. Then he turned the little disc of gold over and saw the enameled drawing on the back,—a crest clearly outlined.
He started. The crest was quite familiar.
"Where did you get this?" he demanded in English, and with such blunt suddenness that she was startled. "Where did it come from?"