"O, I know what ye mean, now," he said, with a grin, as if communing with himself on some novel suggestion. "I guess I kin 'tend to that my own self. The moon shines to-night, don't it?"
"I'll do the paintin' to-night. A good ijee has jist struck me. You jist leave it all to me."
So the thing was settled, and Big Medicine was gone all night.
The next day was a sluice of rain. It poured incessantly from daylight till dark. Big Medicine sat on the counter in the corner brick and chuckled. His thoughts were evidently very pleasant ones. Mr. Golding was busy marking goods and Carrie was helping him. The great grey eyes of Big Medicine followed the winsome girl all the time. When night came, and she went up stairs, he said to Golding:
"That gal o' your'n is a mighty smart little 'oman."
"Yes, and she's all I have left," replied Mr. Golding in a sad tone.
Big Medicine stroked his brown beard, whistled a few turns of a jig tune, and, jumping down from the counter, went out into the drizzly night. A few rods from the house he turned and looked up at the window. A little form was just vanishing from it.
"Ther's wher I fust seed the gal," he murmured, then turned and went his way, occupied with strange, sweet imaginings. As a matter of the merest conjecture, it is interesting to dwell upon the probable turn taken by his thoughts as he slowly stalked through the darkness and rain that night; but I shall not trench on what, knowing all that I do, seems sanctified and hallowed. It would be breaking a sacred confidence. Who has stood and watched for a form at a window? Who has expressed, in language more refined, to the inner fountain of human sympathy, the idea conveyed in the rough fellow's remark? Who that has, let him recall the time and the place holy in his memory.
"Ther's wher I fust seed the gal," said the man, and went away to his lonely bed to dream the old new dream. All night the rain fell, making rich music on the roof and pouring through his healthy slumber a sound like the flowing of strange rivers in a land of new delights—a land into which he had strayed hand in hand with some one, the merest touch of whose hand was rapture, the simplest utterance of whose voice was charming beyond expression. The old new dream. The dream of flesh that is divine—the vision of blood that is love's wine—the apocalypse that bewildered the eyes of the old singer when from a flower of foam in the sweet green sea rose the Cytherean Venus. We have all dreamed the dream and found it sweet.