"You've made a mistake, Elizabeth. This is Father's room."
Ever since his death it had been kept unchanged, and practically unentered save for an occasional rare day of work to keep it in order. Now she nodded and resolutely turned the key and swung the door open. Vance went in with an exclamation of wonder. It was quite changed from the solemn old room and the brown, varnished woodwork which he remembered. Cream-tinted paint now made the walls cool and fresh. The solemn engravings no longer hung above the bookcases. And the bookcases themselves had been replaced with built-in shelves pleasantly filled with rich bindings, black and red and deep yellow-browns. A tall cabinet stood open at one side filled with rifles and shotguns of every description, and another cabinet was loaded with fishing apparatus. The stiff-backed chairs had given place to comfortable monsters of easy lines. Vance Cornish, as one in a dream, peered here and there.
"God bless us!" he kept repeating. "God bless us! But where's there a trace of Father?"
"I left it out," said Elizabeth huskily, "because this room is meant for—but let's go back. Do you remember that day twenty-four years ago when we took Jack Hollis's baby?"
"When you took it," he corrected. "I disclaim all share in the idea."
"Thank you," she answered proudly. "At any rate, I took the boy and called him Terence Colby."
"Why that name," muttered Vance, "I never could understand."
"Haven't I told you? No, and I hardly know whether to trust even you with the secret, Vance. But you remember we argued about it, and you said that blood would out; that the boy would turn out wrong; that before he was twenty-five he would have shot a man?"
"I believe the talk ran like that."
"Well, Vance, I started out with a theory; but the moment I had that baby in my arms, it became a matter of theory, plus, and chiefly plus. I kept remembering what you had said, and I was afraid. That was why I worked up the Colby idea."