There was the photograph of the painter, to begin with—a man who had discovered the beauty of the deserts of the Southwest. But there was more—much more. It told how, in his wandering across the desert, he had hunted for something more than raw-colored sands and purple mesas blooming in the distance.
He had searched for a human being to fit into the picture and give the softening touch of life. But he never found the face for which he had been looking. And then luck came and tapped him on the shoulder. A lone rider came out of the dusk and the desert and loomed beside his campfire. The moment the firelight flushed on the face of the man, he knew this was the face for which he had been searching. He told how they fried bacon and ate it together; he told of the soft voice and the winning smile of the rider; he told of his eyes, unspeakably soft and unspeakably bold, and the agile, nervous hands, forever shifting and moving in the firelight.
The next morning he had asked his visitor to sit for a picture, and his request had been granted. All day he labored at the canvas, and by night the work was far enough along for him to dismiss his visitor. So the stranger asked for a small brush with black paint on it, and in the corner of the canvas drew in the words "Yours, Black Jack." Then he rode into the night.
Black Jack! Lawrence Montgomery had made up his pack and struck straight back for the nearest town. There he asked for tidings of a certain Black Jack, and there he got what he wanted in heaps. Everyone knew Black Jack—too well! There followed a brief summary of the history of the desperado and his countless crimes, unspeakable tales of cunning and courage and merciless vengeance taken.
Vance Cornish turned the last page of the article, and there was the reproduction of the painting. He held his breath when he saw it. The outlaw sat on his horse with his head raised and turned, and it was the very replica of Terence Colby as the boy had waved to them from the back of Le Sangre. More than a family, sketchy resemblance—far more.
There was the same large, dark eye; the same smile, half proud and half joyous; the same imperious lift of the head; the same bold carving of the features. There were differences, to be sure. The nose of Black Jack had been more cruelly arched, for instance, and his cheekbones were higher and more pronounced. But in spite of the dissimilarities the resemblance was more than striking. It might have stood for an actual portrait of Terence Colby masquerading in long hair.
When the full meaning of this photograph had sunk into his mind, Vance
Cornish closed his eyes. "Eureka!" he whispered to himself.
There was something more to be done. But it was very simple. It merely consisted in covertly cutting out the pages of the article in question. Then, carefully, for fear of loss, he jotted down the name and date of the magazine, folded his stolen pages, and fitted them snugly into his breast pocket. That night he ate his first hearty dinner in four days.
CHAPTER 5
Vance's work was not by any means accomplished. Rather, it might be said that he was in the position of a man with a dangerous charge for a gun and no weapon to shoot it. He started out to find the gun.