Sleep began to overcome him, and he fought vainly against it. In a choppy sea the bows of a ship make the worst possible bed, for they toss up and down with sickening rapidity and jar quickly from side to side; but when a vessel is plowing through a long-running ground swell, the bows of the ship move with a sway more soothing than the swing of a hammock in a wind. Under these circumstances Harrigan was lulled to sleep.
He woke at length with a consciousness, not of a light shining in his face, but of one that had just been flashed across his eyes. Then a guarded voice said: "He's dead to the world; he won't hear nothin'."
Peering cautiously up from under the shelter of his eyelashes, he made out a bulky figure leaning above him.
"Sure he's dead to the world," said a more distant voice. "After the day he must have put in with Campbell, he won't wake up till he's dragged out. I know!"
"Lift his foot and let it drop," advised another. "If you can do that to a man without waking him, you know he's not going to be waked up by any talkin'."
Harrigan's foot was immediately raised and dropped. He merely sighed as if in sleep, and continued to breathe heavily, regularly. After a moment he was conscious that the form above him had disappeared. Then very slowly he turned his head and raised his eyelids merely enough to peer through the lashes. The sailors sat cross-legged in a loose circle on the floor of the forecastle. At the four corners of the group sat four significant figures. They were like the posts of the prize ring supporting the rope; that is to say, the less important sailors who sat between them. Each of the four was a man of mark.
Facing Harrigan were Jacob Flint and Sam Hall. The former was a little man, who might have lived unnoticed forever had it not been for a terrible scar which deformed his face. It was a cut received in a knife fight at a Chinese port. The white, gleaming line ran from the top of his temple, across the side of his right eye, and down to the cheekbone. The eye was blind as a result of the wound, but in healing the cut had drawn the skin so that the lids of the eye were pulled awry in a perpetual, villainous squint. It was said that before this wound Flint had been merely an ordinary sailor, but that afterward he was inspired to live up to the terror of his deformed face.
Sam Hall, the "corner post," at Flint's right, was a type of blond stupidity, huge of body, with a bull throat and a round, featureless face. You looked in vain to find anything significant in this fellow beyond his physical strength, until your glance lingered on his eyes. They were pale blue, expressionless, but they hinted at possibilities of berserker rage.
The other two, whose backs were toward Harrigan, were Garry Cochrane and Jim Kyle. The latter might have stood for a portrait of a pirate of the eighteenth century, with a drooping, red mustache and bristling beard. The reputation of this monster, however, was far less terrible than that of any of the other three, certainly far less than Garry Cochrane. This was a lean fellow with bright black eyes, glittering like a suspicious wolf's.
Between these corner posts sat the less distinguished sailors. They might have been notable cutthroats in any other assemblage of hard-living men, but here they granted precedence willingly to the four more notable heroes.