"Ay," said the old rancher, "they's things that'll hold him up. They's things that'll turn a dog wild, too, and the taste of blood is one of 'em!"
The silence fell again.
There was an old clock standing against the wall. It was one of those tall, wooden frames in which, behind the glass, the heavy, polished disk of the pendulum, alternated slowly back and forth with wearisome precision. And with every stroke of the seconds there was a faint, metallic clangor in the clock—a falter like that which comes in the voice of a very old man. And the sound of this clock took possession of every silence until it seemed like the voice of a doomsman counting off the seconds. Ay, everyone in the room, again and again, took up the tale of those seconds and would count them slowly—fifty, fifty-one, fifty-two, fifty-three—and on and on, waiting for the next speech, or for the next popping of the wood upon the hearth, or for the next wail of the wind that would break upon the deadly expectancy of that count. And while they counted each looked straight before him with wide and widening eyes.
Into one of these pauses the voice of Buck Daniels broke at length; and it was a cheerless and lonely voice in that large room, in the dull darkness, and the duller lights.
"D'you remember Shorty Martin, Kate?"
"I remember him."
He turned in his chair and hitched it a little closer to her until he could make put her face, dimly, among the shadows. The flames jumped on the hearth, and he saw a picture that knocked at his heart.
"The little bow-legged feller, I mean."
"Yes, I remember him very well."
Once more the flames sputtered and he saw how she looked wistfully before her and above. She had never seemed so lovely to Buck Daniels. She was pale, indeed, but there was no ugly pinching of her face, and if there were shadows beneath her eyes, they only served to make her eyes seem marvelously large and bright. She was pallid, and the firelight stained her skin with touches of tropic gold, and cast a halo of the golden hair about her face. She seemed like one of those statues wrought in the glory and the rich days of Athens in ivory and in gold—some goddess who has heard the tidings of the coming fall, the change of the old order, and sits passive in her throne waiting the doom from which there is no escape. Something of this filtered through to the sad heart of Buck Daniels. He, too, had no hope—nay, he had not even her small hope, but somehow he was able to pity her and cherish the picture of her in that gloomy place. It seemed to Buck Daniels that he would give ten years from the best of his life to see her smile as he had once seen her in those old, bright days. He went on with his tale.