was deafening Andrew, and the engine seemed almost upon them, there was a cloud of white vapor that burst out on either side of it and the brakes were jumped on; the wheels skidded, screaming on the tracks. The engine lurched past; Andrew caught a glimpse of Scottie, a crouched, masked form in the cab of the engine, with a gun in either hand. For Scottie was one of the few natural two-gun men that Andrew was ever to know. The engineer and the fireman he saw only as two shades before they were whisked out of his view. The train rumbled on; then it went from half speed to a stop with one jerk that brought a cry from the coaches. During the next second there was the successive crashing of couplings as the coaches took up their slack.
Andrew, stepping out with his rifle balanced in his hands, saw Larry la Roche whip into the rear car. Then he himself swept the windows of the train, blurred by the mist, with the muzzle of his gun, keeping the butt close to his shoulder, ready for a swift snapshot in any direction. In fact, his was that very important post, the reserve force, which was to come instantly to the aid of any overpowered section of the active workers. He had rebelled against this minor task, but Allister had assured him that, in former times, it was the place which he took himself to meet crises in the attack.
The leader had gone with Joe Clune straight for the front car. How would they storm it? Two guards, armed to the teeth, would be in it, and the door was closed.
But the guards had no intention to remain like rats in a trap, while the rest of the train was overpowered and they themselves were blasted into small bits with a small charge of soup. The door jerked open, the barrels of two guns protruded. Andrew, thrilling with horror, recognized one as a sawed-off shotgun. He saw now the meaning of the manner in which Allister and Clune made their attack. For
Allister had run slowly straight for the door, while Clune skirted in close to the cars, going more swiftly. As the gun barrels went up Allister plunged headlong to the ground, and the volley of shot missed him cleanly; but Clune the next moment leaped out from the side of the car, and, thereby getting himself to an angle from which he could deliver a cross fire, pumped two bullets through the door. Andrew saw a figure throw up its arms, a shadow form in the interior of the car, and then a man pitched out headlong through the doorway and flopped with horrible limpness on the roadbed. While this went on Allister had snapped a shot, while he still lay prone, and his single bullet brought a scream. The guards were done for.
Two deaths, Andrew supposed. But presently a man was sent out of the car at the point of Clune's revolver. He climbed down with difficulty, clutching one hand with the other. He had been shot in the most painful place in the body—the palm of the hand. Allister turned over the other form with a brutal carelessness that sickened Andrew. But the man had been only stunned by a bullet that plowed its way across the top of his skull. He sat up now with a trickle running down his face. A gesture from Andrew's rifle made him and his companion realize that they were covered, and, without attempting any further resistance, they sat side by side on the ground and tended to each other's wounds—a ludicrous group for all their suffering.
In the meantime, Clune and Allister were at work in the car; the water was hissing in the fire box as a vast cloud of steam came rushing out around the engine; the passengers were pouring out of the cars. They acted like a group of actors, carefully rehearsed for the piece. Not once did Andrew have to speak to them, while they ranged in a solid line, shoulder to shoulder, men, women, children. And then Larry la Roche went down the line with a saddlebag and took up the collection. "
Passin' the hat so often has give me a religious touch, ladies and gents," Andrew heard the ruffian say. "Any little contributions I'm sure grateful for, and, if anything's held back, I'm apt to frisk the gent that don't fork over. Hey, you, what's that lump inside your coat? Lady, don't lie. I seen you drop it inside your dress. Why, it's a nice little set o' sparklers. That ain't nothin' to be ashamed of. Come on, please; a little more speed. Easy there, partner; don't take both them hands down at once. You can peel the stuff out of your pockets with one hand, I figure. Conductor, just lemme see your wallet. Thanks! Hate to bother you, ma'am, but you sure ain't traveling on this train with only eighty-five cents in your pocketbook. Just lemme have a look at the rest. See if you can't find it in your stocking. No, they ain't anything here to make you blush. You're among friends, lady; a plumb friendly crowd. Your poor old pa give you this to go to school on, did he? Son, you're gettin' a pile more education out of this than you would in college. No, honey, you just keep your locket. It ain't worth five dollars. Did you? That jeweler ought to have my job, 'cause he sure robbed you! You call that watch an heirloom? Heirloom is my middle name, miss. Just get them danglers out'n your ears, lady. Thanks! Don't hurry, mister; you'll bust the chain."
His monologue was endless; he had a comment for every person in the line, and he seemed to have a seventh sense for concealed articles. The saddlebag was bulging before he was through. At the same time Allister and Clune jumped from the car and ran. Larry la Roche gave the warning. Every one crouched or lay down. The soup exploded. The top of the car lifted. It made Andrew think, foolishly enough, of someone tipping a hat. It fell slowly, with a crash that was like a faint echo of the explosion. Clune ran back, and they could hear his shrill yell of delight: "It ain't a safe!" he