12. Jonathan Dayton, Emmet 9460, inscribed “Albert Rosenthal.” A painting by Rosenthal also formerly hung in Independence Hall. The two are dissimilar. The etching is a profile, but the painting is nearly a full-face portrait. The Emmet correspondence reveals no evidence.
PENNSYLVANIA
13. Benjamin Franklin, Emmet 9463, inscribed “C. W. Peale Pinxit. Albert Rosenthal Sc.”
14. Thomas Mifflin, Emmet 9466, inscribed “Etched by Albert Rosenthal Phila. 1888 after Painting by Gilbert Stuart.” A portrait by Charles Willson Peale, in civilian dress, is in Independence Hall. The Stuart portrait shows Mifflin in military uniform.
15. Robert Morris, Emmet 9470, inscribed “Gilbert Stuart Pinxit. Albert Rosenthal Sc.” The original painting is in the Historical Society of Pennsylvania. Stuart painted Morris in 1795. A copy was owned by the late Charles Henry Hart; a replica also existed in the possession of Morris’s granddaughter.—Mason, Life of Stuart, 225.
16. George Clymer, Emmet 9475, inscribed “Etched by Albert Rosenthal Phila. 1888 after Painting by C. W. Peale.” There is a similar type portrait, yet not identical, in Independence Hall, where the copy was attributed to Dalton Edward Marchant.
17. Thomas Fitzsimons. There is no portrait and the Emmet correspondence offers no information.
18. Jared Ingersoll, Emmet 9468, inscribed “Etched by Albert Rosenthal after Painting by C. W. Peale.” A portrait of the same origin, said to have been copied by George Lambdin, “after Rembrandt Peale,” hung in Independence Hall.
19. James Wilson, Emmet 9472, inscribed “Etched by Albert Rosenthal 1888.” Seems to have been derived from a painting by Charles Willson Peale in Independence Hall.
20. Gouverneur Morris, Emmet 9477, inscribed “Etched by Albert Rosenthal Phila. 1888 after a copy by Marchant from Painting by T. Sully.” The Emmet correspondence has no reference to it.