"A seating with a man takes 20 minutes," he remarked, "and with a woman it takes the whole afternoon. Makeup," he added, "is used more intensely in photography than it is in the street. I think women look best without any type of makeup in the daytime. Sunlight has a very bad effect on it. Some of the ladies going by on the street look like they're holding a mask a fraction of an inch away from their face."
He has never developed the habit of stopping beautiful women on the sidewalk, but, said a grinning Scavullo, "if I see someone wildly attractive walking by, I get excited. I might turn around and whistle or something."
Number one on his list of the world's most beautiful women is 14-year old Brooke Shields, who also lives on the Upper East Side. She is one of the 59 models, actresses, and other celebrities featured in his first book, Scavullo On Beauty (1976), which came out in paperback last month from Vintage Press. The volume is filled with life-size shots of women's faces, many of them showing the difference before and after the Scavullo treatment. It is accompanied by frank interviews dealing with clothing, diet, exercise, makeup, and related subjects. Scavullo On Men, his second book, was published in 1977. And he has two more in the works — a picture book on baseball, with text by Christopher Lehmann-Haupt of the New York Times, and a retrospective volume covering his photographs from 1949 to 1980. Both will be out next year.
A resident of the Upper East Side since 1950, he likes to dance until dawn at Studio 54 "whenever I don't have to get up too early the next day." Asked about his favorite local restaurants, he said he rarely goes to any, but that his entire staff orders lunch almost every day from Greener Pastures, a natural foods restaurant on East 60th Street.
Beauty, he believes, "is an advantage to everything — man, woman, child, flower, state. I mean, everything. Beauty is the most fabulous thing in the world. I hate ugliness." His advice to amateur photographers: "Get a Polaroid. It is a very flattering camera to use, because it washes everything out." He couldn't resist adding: "If you can't be photographed by Scavullo, have your picture taken with a Polaroid."
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WESTSIDER ROGER SESSIONS
Composer of the future
2-10-79
The story of Western music, from the baroque era to the present day, has been written largely by men whose contributions to their art were underappreciated during their own lifetimes. Serious music has a tendency to be ahead of its time, and must wait for the public taste to catch up before it can be accepted.
Such is the case with Roger Sessions. For at least 50 years he has been considered by the American academic establishment to be one of the most gifted and original composers of his generation. But his work has started to gain wide recognition with the general public only since the early 1960s. Today, at 82, he is comfortable in his role as the elder statesman of American concert music. Although relatively few of his works have been recorded — they place extraordinary demands on both performer and listener — Sessions continues to write music with practically unabated energy. His most significant official honor came in 1974, when the Pulitzer Prize Committee issued a special citation naming him "one of the most musical composers of the century."