"My involvement with this company goes back to about 1939," says Lee. "I was always the editor, the art director, the head writer, and the creative director [from the age of 17]. In the early 1960s I was thinking of quitting. I thought I wasn't really getting anywhere. My wife said, 'Why not give it one last fling and do the kind of stories you want to do?' So I started bringing out the offbeat heroes. I never dreamt that they would catch on the way they did."
He emphasizes that he did not create the characters alone, but co-created them with the help of an artist. Nevertheless, it was Lee who revolutionized the comic book industry by introducing the concept of what has been termed the "hung-up hero" — the superhero whose powers do not preclude him from having the same emotional troubles as the average mortal. This is what makes Lee's characters so believable and so irresistibly entertaining on television. It explains why CBS' The Incredible Hulk is a hit, and why the same network has filmed eight episodes of The Amazing Spiderman. On January 19 from 8 to 10 p.m., CBS will broadcast the pilot for a new Marvel-based series, Captain America.
"Dr. Strange may come back again," says Lee. "It was made into a two hour television movie." His old Spiderman cartoons, too, are still in syndication.
He claims to work "about 28 hours a day," and a look at his dizzying list of activities supports this claim. Besides running the Marvel headquarters, Lee makes frequent trips to the West Coast to develop shows for ABC and CBS, writes some cartoons for NBC, acts as consultant to the Spiderman and Hulk programs, writes an introduction to each of the dozens of Marvel books published each year, writes occasional books and screenplays of his own, gives lectures all over the country, and — what to some would be a full-time job in itself — writes the plot and dialogue not only for the Spiderman newspaper strip, but also, since November, for a Hulk newspaper strip that already appears in more than 200 daily papers worldwide.
Few people know Manhattan as well as Stan Lee. Born the son of a dress cutter in Washington Heights, he has made the Upper East Side his home for the past 15 years. "I'm a big walker," he explains. "I'm a fast walker: I can easily average a block a minute. So if I want to walk to Greenwich Village, I give myself an hour — 60 blocks. I wouldn't know what time to leave if I took a cab."
Asked about new projects in the works, Lee mentions that Marvel is planning to produce some motion pictures that will be filmed in Japan. "And I have a contract to write my autobiography," he adds. "I was surprised and delighted that they gave me five years to do it. So I presume I'll wait four years; maybe in that period, something interesting will happen to me."
********
EASTSIDER JOHN LEONARD
Book critic for the New York Times
3-22-80
"It's as if the job I have were designed for me," says bearded, bespectacled John Leonard, lighting his fifth cigarette of the early afternoon as he sits relaxed at his Eastside brownstone, talking about the pleasures and perils of being one of the New York Times' three daily book critics. Like his colleagues Christopher Lehmann-Haupt and Anatole Broyard, Leonard writes two book reviews for the Times each week, and is syndicated nationally. An avid reader since childhood, he now gets to read anything and everything he desires.