CHAPTER XXX.
Visit to the Brooklyn Academy of Music—Rev. Dr. Talmage.
New York, March 2.
Went to hear Dr. T. de Witt Talmage this morning at the Academy of Music, Brooklyn.
What an actor America has lost by Dr. Talmage choosing the pulpit in preference to the stage!
The Academy of Music was crowded. Standing-room only. For an old-fashioned European, to see a theater, with its boxes, stalls, galleries, open for divine service was a strange sight; but we had not gone very far into the service before it became plain to me that there was nothing divine about it. The crowd had come there, not to worship God, but to hear Mr. Talmage.
At the door the programme was distributed. It consisted of six hymns to be interluded with prayers by the doctor. Between the fifth and sixth, he delivered the lecture, or the sermon, if you insist on the name, and during the sixth there was the collection, that hinge on which the whole service turns in Protestant places of worship.
| THE LEADER OF THE CHOIR. |
I took a seat and awaited with the rest the entrance of Dr. Talmage. There was subdued conversation going on all around, just as there would be at a theater or concert: in fact, throughout the whole of the proceedings, there was no sign of a silent lifting up of the spirit in worship. Not a person in that strange congregation, went on his or her knees to pray. Most of them put one hand in front of the face, and this was as near as they got that morning to an attitude of devotion. Except for this, and the fact that they did not applaud, there was absolutely no difference between them and any other theater audience I ever saw.
The monotonous hymns were accompanied by a cornet-à-piston, which lent a certain amount of life to them, but very little religious harmony. That cornet was the key-note of the whole performance. The hymns, composed, I believe, for Dr. Talmage’s flock, are not of high literary value. “General” Booth would probably hesitate to include such in the répertoire of the Salvation Army. Judge of them for yourself. Here are three illustrations culled from the programme: