Her Royal Highness Woman

by Max O'Rell

If I were asked to suggest a new coat-of-arms for the United States of America, I would propose a beautiful, bright, intelligent-looking woman, under the protection of an eagle spreading its wings over her, with the motto: Place aux Dames—'Honour to the Ladies'; or, if you prefer a freer translation, 'Make room for the Women.'

The Government of the American people is not a republic, it is not a monarchy: it is a gynarchy, a government by the women for the women, a sort of occult power behind the scenes that rules the country.

It has often been said that a wife is what a husband makes her. I believe that the women of a nation are what the men of that nation make them. Therefore, honour to the men of the United States for having produced that modern national ideal the American woman.

I have been six times all over the United States. I have spent about three years of my life in America, travelling from New York to San Francisco, from British Columbia to Louisiana. If there is an impression that becomes a deeper and deeper conviction every time that I return to that country, it is that the most interesting woman in the world is the American woman.

Now, let us compare her with the women of Europe. The English woman, when beautiful, is an ideal symphony, an incomparable statue, but too often a statue. The French woman is the embodiment of suppleness and gracefulness, more fascinating by her manner than by either her face or figure.

The Roman woman, with her gorgeous development, suggests the descendant of the proud mother of the Gracchi. The American woman is a combination, an ensemble.

I have never seen in America an absolutely, helplessly plain woman. She is always in the possession of a redeeming something which saves her. She may be ever so homely (as the Americans say), she looks intelligent, a creature that has been allowed to think for herself, that has never been sat upon. And I know no sight more pleasing than an elderly American woman, with her white hair, that makes her look like a Louis XV. marquise, and an expression which reflects the respect she has inspired during a well and usefully spent life.

When women were born, a fairy attended the birth of every one of them. Each woman received a special gift. The American woman arriving late, the fairies gathered together and decided to make her a present of part of all the attributes conferred on all the other women. The result is that she has the smartness and the bright look of a French woman, and the shapely, sculptural lines of an English woman. Ah! but, added to that, she has a characteristic trait peculiarly her own, an utter absence of affectation, a naturalness of bearing which makes her unique, a national type. There is not in the world a woman to match her in a drawing-room. There she stands, among the women of all nationalities, a silhouette bien découpée, herself, a queen.

Allowed from the tenderest age almost every liberty, accustomed to take the others, she is free, easy, perfectly natural, with the consciousness of her influence, her power; able by her intelligence and education to enjoy all the intellectual pleasures of life, and by her keen powers of observation and her native adaptability to fit herself for all the conditions of life; an exquisite mixture of a coquette without affectation and a blue-stocking without spectacles or priggishness; the only woman, however beautiful and learned she may be, with whom man feels perfectly at his ease—a sort of fascinating good fellow, retaining all the best attributes of womanhood.

Now, if this should sound like an outburst of enthusiasm, please excuse me. I owe to American women such pleasant, never-to-be-forgotten hours that on merely hearing the mention of the American woman I take off my hat.