But who can touch—even approach—the Irish woman with her dark hair, her blue, sometimes light purple large eyes, her glorious complexion, her soft, velvety skin, her beautiful, graceful form? Sometimes the lower portion of the face is a little too long, but her brow is beyond competition. The Irish woman is a symphony in white satin. Add to these physical attractions the brightness of her expression, the amiability of her smile, and you will come to the conclusion that her charm is unapproachable.
There is so much patriotism in the world, or, I should rather say, so much provincialism, that men all over the earth give the palm for beauty to the women of their own country. Now, dear American friends, you know this is true. Would any of you deny that the American women are the most beautiful women in the world?
I am sorry to say that the beauty of French women is praised by my compatriots only.
I am such a cosmopolitan that I have no biassed mind. I have been a traveller for thirty years. In 1870 I shed a pint of blood and lost the use of my right arm (for military purposes at any rate), so that France and myself are quits, and I feel I have a right to express myself on French topics quite as freely and independently as on any other country. I thoroughly believe that the French women are the most charming and certainly the most sensible women (where would France be now but for the women?), but they are far from being beautiful. They have not the eyes of the Spanish women, nor the complexion and shapely figures of the English, nor the brilliant faces of the American women; but what makes them charming is that they have a little bit of everything, of which they know how to make the best. The French woman is an ensemble.
It must be admitted that, after praising the women of their own country, most men award to Spanish women the palm for beauty. The conclusion must naturally be that the Spanish woman is very beautiful; but, to my mind, it is a kind of beauty that does not appeal to the heart or the soul as it does to the senses. Her large eyes, veiled by thick lashes, her delicate nose and well-formed, ever-moving nostrils, her undulating form, the suppleness, almost boneless, beautifully moulded limbs and figure, her vigour, her languor—every fibre of the Spanish woman's body, I say, appeals to the senses. She does not make you dream of sentimental walks by moonlight, much less still of a quiet, happy life in some retired, secluded little cottage. In her company, you would never dream of being mayor of your city and father of a numerous family. No, the Spanish woman strikes you as a bewitchingly beautiful creature, jealous, sensitive, proud, a sort of mixture of lioness and tigress that would suggest to you the idea of spending your life sailing on a stormy sea. On looking at her, you would almost like to start an acquaintance with a quarrel. If I were married to a fair woman of Andalusia, I would feel that the best moments of my life would be 'making it up' with her.
If the law of my country made polygamy compulsory, I would make love to an English woman or a fair daughter of Virginia; I would have my house kept by a German wife; my artistic inclinations I would trust to a French woman; my intellectual ones to an American one. Then, when life got a bit dull and I wanted my blood stirred up, I would call on my Spanish wife. I would get it.
CHAPTER XXXIII
BLONDES AND BRUNETTES