V

THE DRAMATIC AUTHOR AND THE PATRON OF ARTS

Gerald Lorimer, although still quite young, was already a dramatist of some note. He was gaiety and insouciance personified. A genial philosopher, witty, sometimes a cynic, but always a kindly one, indulgent to the shortcomings of humanity, he looked at life as a comedy, which he witnessed from the most comfortable of orchestra stalls. The world amused him and supplied him with types for study. He enjoyed robust health, the joy of living was written all over his face, and, wherever he went, he brought an atmosphere of contagious irresistible gaiety. He was a handsome man, distinguished-looking, and fairly well off. When asked why he did not marry, he answered, "Thanks, I prefer to study from afar; one observes better at a distance."

He had a little house in Philip's neighbourhood, that was the envy of all who were privileged to enter its doors. Women thought it impudence of a man to dare to install himself thus, and so prove urbi et orbi that it is not absolutely necessary to have a woman under one's roof to enjoy the most perfect comfort. And yet, when asked why Lorimer did not marry, all that women had to say, was, "No inclination, I suppose."

Women adore parties given by bachelors. They went in crowds, when Lorimer asked them to an "At home" or a garden-party. They took free advantage of the permission he gave them to wander over the house, and examined all its corners. Every bachelor's house interests women and arouses their curiosity. They pried into every nook and cranny, in the hope of bringing to light a mystery, perchance some woman's portrait—Heaven knows what, perhaps a hairpin on the carpet. Wherever they looked, everything was ease, comfort, and liberty; and they arrived at the conclusion, that one may be a bachelor and yet live happily, but consoled themselves with the thought that nobody has found the way to live a bachelor and die happily. Lorimer's house was arranged with taste, in the oriental style. The drawing-room, dining-room, library, and smoking-room formed a delightful suite of rooms.

"You see," said some woman, "nothing but men-servants—a French cook, a German valet: our host must be a woman-hater."

"I do not see that that follows, dear," said another one: "men are more discreet and less gossiping than women, and I warrant that this house has been the scene of many an interesting little tête-à-tête."

Each one had her own opinion; none of them really knew anything about it. Lorimer had never given anyone occasion to gossip about him; he was English and a gentleman, therefore discreet. The French boast often of things they have never done; the English never boast of what they do. The latter are right. Besides, a bachelor, in giving his house a reputation of perfect respectability, can thus invite to it not only his friends, but their wives and daughters.

Lorimer knew all London: the club world, the aristocratic world, the artistic world of Chelsea and St. John's Wood; and at his parties duchesses, actresses, cabinet ministers, painters, writers, actors, and journalists jostled one another.

A friend of men, because of his good-fellowship, frankness, and loyalty; and of women, by reason of his wit, his discretion, and his charming manners, Lorimer was received everywhere with open arms. He could have dined and lunched out every day, if this had been the programme of his existence. On the contrary, he worked hard, went out little, knew everybody, but was the intimate acquaintance of but few, and amongst these were numbered Philip and Dora, whom he liked exceedingly and who interested him intensely.