"You knew my father in Roumania, did you not?" she asked in a tone that could not hide her curiosity. The Count answered her with a kindly smile.

"He was my father's friend," he exclaimed, raising himself a little upon the pillow; "that would be more than twenty years ago. So much has happened since then, Lady Evelyn. Twenty years in a man's life and a woman's—ah, if we could recall even a few of them——"

"Even the weeks," she said meaningly, "when we were not ourselves, but another whom we wish to forget. Our friends can help us to recall those weeks, Count."

Evelyn had not understood the difficulty of confession until this moment. Her visit to London had been so entirely of her own planning, she had locked the dreams of her life so surely in the secret chambers of her heart, that this man was the first human being with whom she had shared so much as a single word of them. Secret actions and secret thoughts alike shame us when we speak of them aloud. Nothing but a dire dread of discovery would have induced her to face the humiliations of this avowal had it not been that silence must have meant discovery and discovery might mean disaster beyond any she could imagine. Count Odin, a trained man of the world, had perception sufficient to read her story instantly and to understand its full significance. Here was a woman who put herself into his power without a single thought of the consequences. He rejoiced beyond words at the circumstance, but had the wit to conceal his pleasure when he replied with an apparent generosity which earned her gratitude:

"Those are the weeks when our friends should be blind, Lady Evelyn. I am glad that you tell me this. Frankly, I, too, am an artist, and can understand your father's objection to the theatre. Let us forget that the most charming Etta Romney has existed. She came from nowhere and has gone away as she came. We shall be so ungallant that we go to forget her name and the theatre and all her cleverness. Please to speak no more of it. I am your servant, and my memory is at your command. If we have met in London, so shall it be. If we are strangers when your father is come back, that also I will be ready to remember. Command my silence or my words as you think for the best."

He accompanied the words with a gesture which would have made light of the whole affair—as though to say, "This is a little thing, let us speak of something more important. The act, however, did not deceive Evelyn. Her former distrust of this man returned with new force. She felt instinctively that she must pay a price for his silence; though she knew not, nor could she imagine, what that price must be. And, more than this, she rebelled already against the penalties of deception. The net in whose meshes her daring had caught her was a net of equivocation which must degrade while it endured.

"It is for my father's sake," she said quietly, believing it at the moment really to be so. "He knows little of the theatre and dislikes it in consequence. Of course, Count, I had no intention of remaining in London. If you have any love for the stage yourself, you will understand why I went."

"No one so sympathetically, dear lady. You were born an artiste; you will die one, though you never again shall go upon the stage. Here is our friend, Dr. Philips, coming with the medicine to make us happy. Is it that we have met in London or are we to be strangers? Speak and I obey you, now and always."

"There is no necessity to say anything about it," she exclaimed, flushing as she stood up. "I do not suppose my father will ask the question. Your visit to Derbyshire was in his interests, I understand, Count."

He turned a swift keen glance upon her—far from a pleasant glance.